What feelings/states of mind of the photographer are suggested by the image?
I think the feeling or states of mind of the photographer suggested that this type of capturing is wrong and a bad photo taken because there is a tree is behind the mans back and it seems weird for. However, as what Baldessari was trying to claim in the image is “why should we conform to conventional aspects of art or photograph, why does our work have to be judged? The interesting fact is that an idea cannot be wrong or right as it is executed as a personal response.”Therefore, there is not a wrong or right idea in photography.
And in a photography the context is really important because it either shows the emotion that the photographer wanted to evaluate or the picture it want people to appreciate or enjoy so i think the context is really important inorder to make the photo to have some meaning or make it valuable
Photos and Contact Sheet.
This picture is “Bad” the reason is the character in the setting should be really clear however it is blury which it should not and the background image is considered to be really clear but it’s a mistake because we do not want the background to be really clear when we want to take pictures of person.
This is considered as bad because when I took the photo, the person’s figure formed a double image which is really creepy and looks like the man is a ghost or something.
This is also a bad picture because you are unable to see what is happening in the picture and all the settings the door and the flower are really blurry to see they are just like taken a picture when your hands are really shaky.
This is also a Bad picture due to the vaporation of my breath to the camera make it like you are taking a picture that is in the fog.
This is considered to be a bad picture because of the blurry and the manual focus it made the picture to be really hard to see it clearly, and this technique is actually made by tilting the manual focus into a more blurry stage.
Referencing the picture above entitled “Wrong!” Can a ‘bad’ picture ever be ‘great’? – How important is context in photography?
