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Category: Stage Craft (page 2 of 2)

Lighting Design at Home

When I was creating this video I wanted the vibe to be creepy, and mysterious, as I chose a piece of music that is mysterious and has an ambiance. This piece of painting itself isn’t necessarily mysterious or creepy so I decided to use lighting to create the sense of mood I desire it to be. With limited tools, I used the light in the room and flashlight to create different types of light. I turned on and off to create the effect of flickering and used my flashlight from my phone to isolate the painting from the rest of the room. I also tried moving my flashlight angles from above to below and it surprisingly created this ring type of lighting. That is how I created my lighting design at home.

I used to think that lighting is all about color but now I think that not only can color create mood but the different effects of one single light, and how it can create a mood just by the different usage of the light.

Lighting Design Key Terms

Lighting design– The concept that a designer creates to provide light on stage to support the mood or atmosphere of the play.

Light Plot– The map that shows where all your lighting instruments are placed and where they will be lighting.

Lighting grid– Up above the stage, it is the systems of bars and electric that power the lights.

Lighting board– The control panel that power lights; when they turn on and off and at what intensity.

Cyclorama– The large white ‘sheet’ at the beak of the stage that can be lit or projected on.

Backlight– Lighting from the back

Sidelight– Lighting from the side

Top light– Lighting from above

Front light– Lighting from the front

Footlight– Lighting that is placed on the floor in the front

Spotlight– A single source of light focused on a single object

Fill light– Light sources that add lighting in and around set/scenery/ stage- they ‘fill in’.

Wash– A large group of lighting that can ‘wash’ the stage in light that you can bring up at once together.

Lighting angle– The angle of the lighting instrument in relation to the subject; usually 45 degrees.

Gobo (or pattern)– A pattern that blocks light to give you a shape onstage.

Gel (or color gel)– The color that you want the instrument to throw onstage (or light onstage).

 

 

 

Behind The Scenes Side B- Julie Taymor

  1. “Inspiration” comes from many sources. Describe one source of inspiration for Julie Taymor when she was setting the scene for the play.One inspiration is to create an illusion of place where we are not in.
  2. Describe one moment where you went “a-ha!” or “that is brilliant!” or “I never would of thought of that!” and describe how or why that moment stood out to you.the way a “spirit” was expressed on stage was very surprising.  Julie Taymor used a mask that was attached to a human’s hand to express a spirit, it looked super realistic.
  3. ‘Symbolism’ plays an important part of most theatre. This is different than ‘Literal’. Pick one moment or element that was represented “symbolically” as opposed to literally and describe it.Caliban is the king/resident of the island but he represents the island. He expresses the features of an island.
  4. What stuck with you from watching this? What moment, element,The usage of sand has stuck with me because I think it’s creative and it takes a lot of work to make it happen.

Behind The Scenes Side A- Julie Taymor

  1. You have to show or create a shipwreck on stage. How might you do that?Create damages on the ship such as cracks, holes, etc.
  2. One character in your play is a spirit. How might you have a character as a spirit onstage?

    I would use a string that is barely visible that is attached to the ceiling to move a cloth around so it seems like it is moving by itself.

  3. Another character is imprisoned in a rock. How would you show a character imprisoned in a rock?

    I’m not sure.

  4. You have to portray ‘magic demon dogs’ that are unleashed onstage. How might you portray magic demon dogs (without using real dogs)?

    Utilize real humans that can do tricks such as tumbling, flips, etc to portray the “magic demon dogs”

  5. What elements would you bring in to create a deserted island? What would you create? Describe how the audience would know that it is a deserted island.

    Sand, fake cactus’s, yellow lighting.

  6. What challenges would you face when trying to create all of these elements in person, on stage, live, in front of an audience.

    It would be difficult to make it happen as it can become a mess, for example, sand for the desert might be difficult to clean up or change in scenes.

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