This is my contact sheet for my set 2 on reflections. In this set, there is a total of 47 photos. Some of these photos were inspired by the photos of Craig Whitehead. Similarly to set 1, I have decided to categorize photos based on how much they relate to my statement of intent and their aesthetic appeal. Photos might be very related to my statement of intent, but if their aesthetic appeal isn’t the best, it wouldn’t be considered a red photo. For the set as a whole, a portion of the photos was taken at ISB, a portion was taken at home, and a large portion was taken in Shanghai. At ISB, the photos were mostly of mundane objects that emitted light or had a glassy surface since they were capable of reflection. The photos taken at home are similar to the ones taken at ISB. The best quality photos were taken in the Pudong business district in Shanghai. They consist of reflections on modern architecture, which are made of glass and have LED lights, making them a great source of reflections when the lighting is dark (night hours). In this set, the categories of yellow, green, and red still apply. The yellow selection consists of photos that have little relation to my statement of intent and do not show interesting reflections. There might be some photos that show reflection, but they lack quality in other aspects, such as focus, angle, or clarity. There are 19 yellow photos in total. The green selection consists of solid photos related to my statement of intent. Some photos might qualify for the red selection but might not be that interesting to the audience. There are 16 green photos in total. Finally, the red selection consists of photos that fit my statement of intent and have excellent aesthetic appeal. These photos were all taken in Shanghai. We can see the majority of the photos in the red selection have a dark backdrop, as they were taken at night. There are 12 red photos in total. I will analyze these photos in a subsequent post.
Tag: yellow selection
Full Contact Sheet+Yellow Selection+Green Selection+Red Selection
The Full Contact Sheet:
The full contact sheet consists of 32 photos in total. I took the photos in various places, so the scenery in the photos can appear quite diverse. All of the photos are colored and mostly abstract. Most of the photos target the formal element of focus through optical effects.
The Yellow Selection:
For the yellow selection, I discarded 12 photos of the 32 photos from my full contact sheet. They were discarded because they didn’t align with my vision or because they didn’t fully incorporate the formal element of focus. For this selection, I chose 20 photos.
The Green Selection:
In this selection, I chose 10 photos that really demonstrate my vision. In these photos, the use of the formal element of focus is demonstrated by diverting the viewer’s attention to a certain part of the photo. For example, in the 10th photo with the cello bow and notes, the viewer is intended to on focus the elements of the photo separately. They either see the bow first or the notes first. At least, that is my interpretation. Different people might see the photo in a variety of ways.
The Red Selection:
- The photo is in the top left corner. I chose this photo to include in my red selection because it relates to my vision and uses the formal element of focus uniquely. At first glance, you might not recognize that the photo depicts a night sky. The photo consists of one very bright red light and another very bright yellow light; they greatly contrast the whitish light near the middle of the photograph (the moon). These are the most appealing elements within the photograph. They catch my attention almost immediately when I look at the photo. I tend to ignore the clutter of buildings, cables, and clouds in the background and only focus on the lights. Realistically, the viewer’s eyes should focus on the lights first, but again, the photo is abstract and is open to interpretation. I would call this photo: ” Vision.”
- The photo is in the top right corner. I chose this photo because it highlights the formal element of focus very abstractly. The photo does not focus on any element, as it’s an array of transparent spaces in a commercial building. Thus, the viewer must use their interpretation and focus on an element that holds their attention. It is similar to choosing an item from a store in the mall. Instead of selecting items, you will have to choose what to focus on in this photo. Due to the fact, there is a huge number of possible interpretations for focus, this photo is abstract and aligns with my vision. Because of the above, I would call this photo: “Selection.”
- The photo is in the bottom left corner. I selected this photo for the red selection because the elements in this photo because it consists of a variety of lines and shapes that split the photo into different sections. The focus on the different sections is part of my vision statement. I took these photos at the gym in the corner between two mirrors; the objects in the mirror are actually in the opposite position in real life. The large brown portion in the middle of the photograph looks as if it split the photograph into two pieces. A muscular man is walking on the right side of the photo; he looks as if he walked through the large brown portion in the middle. All the possible interactions between the man, room, and large brown portion make this photo abstract. I would call this photo: “The Barrier.”
- The photo is in the bottom right corner. This photo is special because it appears to be an ordinary picture of a horizon but has extra elements that hook the viewer’s attention. First, the photograph aligns with my vision because it is abstract and focuses on many elements. The different elements include the sky, the buildings, the trees, the river, the bridge, the motorcyclist, and the finger. Each unique element is made imperfect because another element is interfering with it. For example, the buildings block the view of the sky, and the finger blocks the view of the bridge and the river. The fact that you can’t focus on one element without focusing on another makes this photograph abstract. I would call this photo: “Cohesion.” The reason behind this name is up to the viewers.
The Yellow Selection
I selected the above photos because they have a potential to appeal in black and white. They are not necessarily abstract photos, but they are in focus and have a clear subject. Later, I will narrow down the selection to about 10 photos. Those photos would be mostly abstract; I will make them black and white.