Tag Archives for Process Journal
Uta Hagen’s Nine Questions
Who am I? Who is your character? Identify all the details: name/age, physical traits, relatives, education, personal opinions, likes, dislikes, hobbies, fears, ethics, and beliefs. Bloody Mary is basically a ghost chef, fake chef that wants to kill and eat … Continue reading
Page to Stage: Where is the dragon?
In the performance of “Where is the dragon?” I participated as the character called ‘small knight three”, who is completely beneath everything, and does not believe the story of the dragon. As we were developing the characters, we added some … Continue reading
Stanislavski
Born in Moscow, Russia in 1863. （died 1938) An actor and moved on to become a director and teacher. Parents did not indulge in his passion for theatre, so he changed his name. He developed a new approach to acting. … Continue reading
Reflection on Monologue
The start of this monologue task was to learn about the history and origin of acting and ensemble, which is learning the background of Stanislavsky and how he became the “father” of acting. After learning some knowledge, we did some … Continue reading
Improvisation
Talking about improvisation, I used to think that it’s about how you react with different scenes and relationships within the topic you’re given. But now, adding on to that, there are more techniques and skills to be well with responding … Continue reading
9 Qualities of an effective ensemble member
Risk Taker (willing to be open-minded to new things/ideas) Positive and Energetic (have a good attitude towards everything) Aware and in Control (observe how your actions impact other people) Focused (concentrate on what you’re doing) Active listener (find out how … Continue reading
My earliest Theatre Memory
My earliest Theatre Memory is when I was little, in a drama summer camp in Vancouver, Canada. That time, I was only 7, nobody really knows what acting and ensemble is back then. We played games like “you act I guess”, … Continue reading