Change this to something

With these three photos from my second set of photographs, I decided to depart from the black and white aesthetic of the first set. To get the best lighting, I photographed my mother in front of a window. One problem with these photoshoots was that the sky was heavily cloudy on the day of the shoot, limiting the amount of light from the outside, resulting in photos that did not turn out as planned. Nonetheless, after taking the photographs, I used Photoshop’s blur filter to blur the background while preserving my subject’s silhouette. I also used Mr. Stewart’s suggestion of shining a light on the subject from the side to reveal their face. Overall, the photos did not turn out as expected, but I think they are still good, even if the weather could have been better. These photographs add to the original set by representing the subject’s thoughts and ideas about freedom, with the second photo showing the subject in a pose that represents freedom and acceptance, and the first and third showing the subject thinking and pondering the concept.

 

 

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1. Roy Pan

The main theme of Roy’s photography is to take photos in very convinitn situation, as quoted from him “I love taking photos with my phone because it’s super convenient and accessible. I can pull my phone out of my pocket and capture a moment within 3 seconds, which isn’t the case with DSLR cameras”. this insires me as i also do not have access to DSLR cameras, and most of my photographs are taken using phones. i chose Roy pan as my artist also because he captures photos that are very self explanatory, as quoted from him: “’m constantly looking for moments that tell stories. Moments that are self-explanatory and interesting”. i apply the same logic with my photographs as the feeling conveyed in the photos can be very easily recognized, like sad, anxious, etc.

Some of Roy Pan’s Photography.

 

My photography project, called “Silhouette Chronicles,” is about exploring deep ideas like anxiety, struggle, and victory through the captivating form of silhouettes. I want to explore social and emotional landscapes that are deeply rooted in the human experience. I want viewers to face their own inner struggles and victories. Through the way light and shadow interact, I hope to make people feel a wide range of emotions, from the raw intensity of anxiety to the euphoria of victory. I will get ideas from the little things that happen in everyday life and capture moments that connect with the universal journey of strength and redemption. By putting viewers in a world where darkness and light meet, I hope to make a place for reflection and empathy, where shared experiences can work across language and cultural barriers to help us all understand each other better.

For the first and second photograph, my subject was Darren Chan, My friend in Photography 2, And the subject for the 3rd photograph was Orrin. The first 2 images has a melancholy feel to it which can be shown with the black and white coloring, symbolizing a man who has reached rock bottom, which is shown in the 2nd photograph, and the 1st photograph symbolizes the man finally seeing the solution/answer, which can be represented by the glowing light (similarily to how people would represent heaven). whilst the third photograph shows the man finally reaching his goal with the flower tree, the green grass, and the blue sky. The third photograph still shows a hint of darkness/melancholy with the small effect of black and white showing that a man’s goal is never finished and there is always something else to look forward to.

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I have Chosen this Photograph because it simply shows one subject in the photo, it is a simple combination of the stoney background and a monkey sitting near the pond. this photograph conveys the feeling of loneliness and how even monkeys are lonely. it is also somewhat similar to Joel Sartar’s photographs as it is a head on photo of a monkey with no other subjects or unique details in the background.

I have chosen this photography because it is a very uniqe photo with the monkey’s mouth open whilst staring directly at the camera, which is very reminiscent of Joel Sartar’s distinctive style. it also conveys some humor as the face the monkey is making is very humorous and with the water dripping down his further insinuates it.

Finally, I have chosen this photographg for its focus on one singular subject, and its contrast to the others, finally using baby monkeys as appose to adult monkeys. as humans we would all agree that a baby monkey is far more adorable to adult monkeys. i also believe it relates to Joel Sartar’s style the most, as it is the most direct photographg, but also because it showcases the whole body rather than just the face.

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Photo I have chosen to analyze:

I had chosen this photo because it is not only the same animal i had decided to shoot, but it also perfectly represents Joel Sartore’s distinctive style of photography. this photograph unlike those of other photographers, as Joel Sartore simply takes head on photographs of animals, rather than choosing to take photos from ther angles. i believe this perfectly matches my style of photography. one of the most important elements of this photograph is texture, since the photographg is simply a monkey with a black background, the monnkey itself is the only point of this photograph is the subject. this means that the texture of the monkey’s fur, eyes, and facial features are the most important elements of this photograph.

I aim to capture the complex bond between humans and our primate cousins in my photographs, exploring how culture, environment, and global connections intertwine. My goal is to evoke empathy and forge a connection between viewers and these extraordinary creatures, encouraging a greater respect for the variety of life on Earth. To fuel my creativity, I seek out images that capture the authentic essence of primates in their native surroundings, delving into their emotions, actions, and living spaces. From my perspective, my goal is to connect the human and non-human realms, initiating discussions on preservation, biodiversity, and our joint duty to safeguard the environment for the next generations.