Author: Ethan

1.What are some of your favorite movies, genres, books, etc. Can you style a shoot around that concept?

Some of my favorite movies involve the car industry, wether it be racining or history. I believe i could style a shoot with cars and get many different angles of different cars.

2.Is there a location or photograph that inspires you? What story can you design around those inspirational things?

A location that could be an alleyway, and i could relate a crime scene to that location as that is the typical location for a crime scene either in television or literature.

3.Is there a story or emotion from your life you want to communicate to the world?

I could connect the emotion of anxiety, the reason for this is because anxiety can create many creative ways of styling the shoot, with props and lighting.

 

 

The Pictorialism Movement in photography, which emerged in the late 19th and early 20th centuries, sought to elevate photography to fine art through creative expression, soft focus, and elaborate printing techniques. Pictorialists like Alfred Stieglitz pursued a painterly aesthetic, but the movement waned by the 1920s. In response, the Straight Photography movement, popular in the 1920s and 1930s, embraced a straightforward and unmanipulated approach. Figures like Ansel Adams and Edward Weston, along with later photographers such as Aaron Siskind and Uta Barth, emphasized sharp detail, realism, and everyday subjects, playing a pivotal role in establishing photography as a distinct and legitimate art form. Andreas Gursky, known for his large-scale and often digitally manipulated images, represents a more contemporary extension of the Straight Photography principles, highlighting the ongoing evolution of the medium.

 

Weston and Siskind, influenced by Straight Photography, exemplify its principles differently. Weston’s meticulous compositions emphasize clarity and objectivity, while Siskind transitioned to abstraction, exploring expressive potential. In contemporary photography, Gursky’s digitally manipulated, large-scale images transcend straightforward representation, and Barth’s focus on perception and blurred elements defies strict categorization. Both represent modern practices blending elements from Pictorialism and Straight Photography, pushing the boundaries of traditional conventions.

1. List 3 things the photographer might have been interested in capturing in this picture?

• I believe the photographer was interested in incorparting color into abstraction photographs, with the bright red, blue, and yellow colors being very vibrant in this photograph

the photographer also was interested with consistency, with the three different photographs displayed all consisting of a stick, one that is thin and spanning from the bottom of the photograph to the top

2. If you were the photographer, what title would you give it? Explain why.

• I would give the photograph the title “Same stick, Different Stories” this is because the photograph shows the same stick but with the background being a different color on each stick. this represents how we are all humans but we all have different lives and stories.

3. Describe the use of line, shape, Pattern, texture, tone and focus

• The photographer used the stick in the middle of the photograph as lines, with the stick also being a pattern across the 3 photographs. there is not much use of texture as the texture of the photo is mainly jus flat. and the focus is on the stick in the middle

 

In photography, formal elements are essential visual components that shape the overall composition of an image. These six elements include lines, guiding the viewer’s gaze; shapes, contributing to structure and balance; patterns, enhancing visual interest and unity; textures, adding a tactile quality and depth; tone, influencing mood and atmosphere through light and dark areas; and focus, directing attention to specific subjects or areas. Mastering these elements allows photographers to create visually compelling and aesthetically pleasing photographs by skillfully combining these fundamental building blocks.

Abstract photography is taking pictures that don’t show things as they exactly look in real life. Instead, it’s about using shapes, colors, and patterns to create interesting and artistic images. In abstract photography, the focus is on capturing the feeling or idea of a subject, rather than showing it exactly as it is. Photographers play with things like how the picture is arranged, the light, and different techniques to make images that make you feel or think something, even if you can’t identify what the picture is of. It’s a way for photographers to be creative and for people looking at the pictures to use their imagination.

What does “Abstract photography can be defined as capturing images in which the subject isn’t the most interesting element” Mean?

The statement “Abstract photography can be defined as capturing images in which the subject isn’t the most interesting element” suggests that in abstract photography, the focus is not primarily on representing recognizable or identifiable subjects. Instead, the photographer may emphasize other elements such as colors, shapes, patterns, textures, or the overall composition of the image. The goal is to create visually engaging and compelling photos by de-emphasizing the subject matter and allowing other visual elements to take center stage.

 

What is Some thing about abstract photography you want to learn about?

I want to learn about the different ways the photographer can create abstract structures and he camera angles/placements you need to perfect abstract photos

 

 

 

1: what is the reason for the rules in photography?

helps you take better photos, and more compelling photos

 

2: name some of the most important rules in photography

Taking good pictures involves following simple rules to make your photos look better. The “Rule of Thirds” means dividing your picture into three parts and putting important things along these lines for a nicer look.

“Leading Lines” help guide the viewer’s eyes in your photo, like using roads or fences. “Symmetry and Patterns” make more interesting pictures by using matching things or repeating designs.

“Depth of Field” is about making some things clear and others blurry by adjusting your camera.

Lastly, “Framing” means using things around your subject to highlight it and make your photo more interesting.