In terms of composition, the Rule of Thirds is somewhat applied, with the figures placed off-center, creating a dynamic and balanced look. The long, parallel lines of the asparagus stalks act as leading lines, guiding the viewer’s eye towards the figures. There is a repeating pattern of the asparagus stalks, which adds visual harmony and rhythm to the composition. There isn’t a traditional frame, but the natural arrangement of the stalks around the figures serves to isolate and highlight them. The use of negative space is minimal, as the image is filled with the asparagus and figures, yet it still feels balanced. The perspective is slightly elevated, giving a clear view of the tiny world created.
Comparing to Tatsuya Tanaka’s photos, both share a creative approach to miniature photography, using everyday objects to build fantastical scenes. However, Tanaka’s work often has a more consistent and refined aesthetic, with a stronger emphasis on detailed storytelling within each scene. His compositions are meticulously arranged, often featuring symmetry and clever use of perspective to create a sense of realism within the miniature world. In contrast, the photo has a more spontaneous and slightly less polished feel, though it still effectively conveys a sense of imagination and creativity. While both evoke a sense of wonder, Tanaka’s work may be more conceptually driven and detailed in its narrative elements.