2. Depth of Field: Blur background, make fabric clear.
Category: Movement
Final movement photos
Posted on by Justin
Analyzing “The Poetry of Motion”
Introduction
As part of my project “The Poetry of Motion: An Exploration of General Movement”, a series of images have been pivotal in showcasing my interpretation of movement. The overarching aim of this project is to evoke awe and wonder about the diverse manifestations of movement and celebrate it as a fundamental part of life.
Inspiration and Concept Development
I drew inspiration from photographers like Nicholas Goodden, Ernst Haas, Alexey Titarenko, Trent Parke, and Sam Taylor – Wood. Goodden’s work inspired me to pay attention to the subtleties of movement in natural and everyday scenes. Ernst Haas’ use of color and light to emphasize motion influenced my approach to enhancing the dynamic feel of my images. Alexey Titarenko’s documentation of urban movement made me consider how to capture the energy of a group in motion, while Trent Parke’s street photography style encouraged me to seek out candid moments of movement. Sam Taylor – Wood’s long – exposure techniques for creating a sense of continuity in movement inspired my experimentation with different shutter speeds.
To develop my concepts, I experimented with various photographic techniques. I tried long – exposure to capture the blurred, flowing motion of slow – moving subjects, and high – speed shutter speeds to freeze the action of fast – moving objects. I also played with different angles and perspectives, shooting from low angles to make moving objects appear more powerful or from high angles to capture the overall pattern of movement.
Creation of the Final Images
I employed a variety of techniques to capture different aspects of movement. For one image, I used a relatively high – speed shutter speed to freeze the moment, creating a sense of rapid, disorderly movement. The composition of the various elements in the frame gave a feeling of chaos and energy, much like a swarm of insects or a group of people rushing in a busy street. The natural lighting helped to highlight the details of the moving objects and added to the authenticity of the captured movement.
For another, I utilized a long – exposure technique. The blurred streaks of the moving elements created a smooth, dreamy effect. The elements in the frame seemed to be moving in a circular or swirling pattern, similar to the movement of water in a whirlpool or the rotation of a carousel. The soft, diffused lighting enhanced the sense of fluidity and calmness associated with this type of movement.
In a third image, I focused on capturing the gentle, rhythmic movement of fabric panels suspended in an open grassy area. The soft breeze caused the panels to sway, creating a serene and graceful motion. I used a moderate shutter speed to capture the movement without excessive blurring, allowing the details of the vibrant floral patterns on the panels to remain visible. The natural sunlight provided a warm, even illumination, highlighting the colors and textures of the fabric, and enhancing the sense of movement as the light and shadows shifted with the panels’ motion.
Success Criteria and Exploration of the Theme
My success criteria were to create images that clearly convey the essence of movement, evoke an emotional response related to movement, and show the diversity of movement. I believe I have achieved some success. The image with the frozen action and chaotic composition effectively conveys a sense of energetic movement, likely evoking feelings of excitement or urgency in the viewer. The long – exposure image with its circular movement pattern clearly represents a more fluid and cyclical form of movement, which can evoke a sense of tranquility or dizziness. The image of the swaying fabric panels conveys a sense of peaceful, undulating movement, likely to evoke feelings of calmness and appreciation for the simple beauty of natural motion.
I think I have successfully explored the theme of movement. By using different techniques, I have demonstrated distinct types of movement. However, I could have done more to explore the interaction between different types of movement within a single image or to incorporate more complex movement scenarios.
Display Decisions and Research
When deciding how to display these images, I considered the mood and message of each. For the image with energetic and chaotic movement, I chose a simple, dark background to make the moving objects stand out and enhance the sense of dynamism. For the image with smooth, flowing movement, I selected a light, neutral background to complement the calm and dreamy atmosphere. For the image of the swaying fabric panels, I plan to use a neutral, light – colored background that won’t compete with the vibrant colors of the fabric, helping to emphasize the movement and visual appeal of the patterns.
I researched display strategies by looking at photography exhibitions, online galleries, and art books. I noticed that the context in which an image is displayed can significantly affect its impact. For example, large – format prints in a well – lit, minimalistic gallery can make an image more powerful. I applied these principles by ensuring that the images were presented in a way that focused the viewer’s attention on the movement within the photos.
Personal Aspect of the Work
What’s personal about my work is my perception of the world as a constantly moving and evolving place. Movement represents life, change, and growth to me. Through these photos, I’m sharing my view of how movement can be both chaotic and harmonious, and how it shapes our experiences. Each image is a reflection of a moment that I found fascinating, and it’s a way for me to communicate my emotions and thoughts about movement.
What I Hope Viewers Will Understand
I hope viewers will understand that movement is a rich and diverse phenomenon. The images showcase different sides of movement, from the energetic and disorderly to the smooth and cyclical, and the serene and rhythmic. I want them to see that movement can be both exciting and calming, and that it’s an integral part of our lives, whether we’re aware of it or not. I also hope they will appreciate the beauty in the different forms of movement captured in these photos.
Future Improvements
If I had more time, I would like to experiment with different lighting setups. For the image with chaotic movement, I could use colored lights to add a new dimension. For the image with cyclical movement, I could try using backlighting to enhance the sense of depth. For the image of the swaying panels, I would experiment with different times of day to see how the changing light affects the movement and appearance. I also want to explore the use of multiple exposures to combine different types of movement in a single image. Additionally, I would love to expand my subject matter to include more complex movement scenarios, such as the movement of animals in a natural habitat or the movement of machinery in an industrial setting.
Mood board movement
Posted on by Justin
Artist Research: Nicholas Goodden
Posted on by Justin
Artist Research: Nicholas Goodden
Analysis of the photo
What the photograph shows
The photograph depicts a large, solitary tree standing prominently in an open grassy field. The sky above is filled with dynamic, streaked clouds, suggesting movement. The image is in black and white, which emphasizes the contrast between the tree, the field, and the sky.
Main focus and eye – draw
The main focus is the large tree, which stands out due to its size and central position in the frame. The eye is immediately drawn to it as it dominates the composition. The streaked clouds in the sky also draw attention, adding a sense of drama and movement that complements the stillness of the tree.
What’s liked about the image
The contrast between the static tree and the dynamic, streaked clouds creates a captivating visual tension. The black – and – white format simplifies the scene, highlighting the textures and tones, and gives it a timeless, almost nostalgic quality. The open space of the field enhances the sense of solitude and grandeur of the tree.
Composition style
Framing
The open field frames the tree, making it the central element. The horizon line and the expanse of the sky above and the field below create a natural border around the tree, emphasizing its prominence.
Contrast
There is a strong contrast between the dense foliage of the tree and the open, empty field. The contrast between the static tree and the moving clouds adds depth and interest. In terms of tones, the black – and – white format shows a wide range of contrasts from the dark trunk of the tree to the lighter areas of the sky and grass.
Lighting
The lighting appears to be natural, likely from daylight. The way the clouds are illuminated suggests that the light source is from above, casting soft shadows on the tree and the field. The lack of harsh shadows indicates diffused lighting, which could be due to an overcast sky or the use of a filter to soften the light.
Formal elements
Line
The tree has organic, irregular lines in its branches and foliage, which contrast with the more horizontal lines of the horizon and the streaked, diagonal lines of the clouds. These lines create a sense of movement and balance in the composition.
Color (in terms of tones)
As a black – and – white image, the tones range from very dark (the tree trunk and some areas of the foliage) to very light (the bright areas of the sky). The mid – tones are present in the grass and the lighter parts of the tree, creating a balanced tonal composition.
Shape
The tree has an organic, rounded shape, while the clouds have more fluid, streaked shapes. The field has a flat, expansive shape that provides a stable base for the composition.
Form
The tree has a three – dimensional form, with the play of light and shadow enhancing its volume. The clouds also have a sense of form, with the streaking effect giving them a dynamic, almost sculptural quality.
Texture
The tree’s foliage and bark have a textured appearance, which is emphasized by the black – and – white format. The grass in the field has a softer, more uniform texture, and the clouds have a smooth, flowing texture due to the streaking effect.
Tone
The wide range of tones, from the dark tones of the tree to the light tones of the sky, creates a rich and engaging visual experience. The mid – tones in the grass and the tree’s lighter areas add depth and balance to the overall tonal composition.
Achieving meaning
Goodden may be using the contrast between the stillness of the tree and the movement of the clouds to convey themes of stability and change. The solitary tree could represent resilience and longevity, while the moving clouds symbolize the transient nature of life. The black – and – white format might also be used to evoke a sense of timelessness and contemplation.
Techniques
Focus
The camera is likely focused on the tree, with the field and the sky also in reasonable focus. This creates a clear and detailed image of the main subject while still giving context to the surrounding environment.
Aperture settings
The image likely has a moderate depth of field, allowing both the tree and the background elements (field and sky) to be in focus. This could be achieved with an aperture setting that balances the need to keep the main subject sharp while also including the context of the scene.
Shutter speed
The streaked clouds suggest a longer shutter speed was used to capture the movement. This technique adds a sense of dynamism to the otherwise static scene, creating an interesting interplay between the still tree and the moving clouds.
How this image inspired me
Nicholas Goodden’s photograph has inspired me to explore the use of contrast in my own photography. The contrast between stillness and movement, as well as the contrast in tones, has made me more aware of how these elements can be used to create a powerful visual narrative. I am now interested in experimenting with long – exposure techniques to capture movement in otherwise static scenes, similar to how the clouds are depicted in this image. Additionally, the use of a monochromatic color scheme has shown me the beauty of simplicity and how it can enhance the emotional impact of a photograph. I will look for ways to incorporate these elements in my own work, whether it’s through landscape photography or other genres, to evoke a sense of contemplation and timelessness.
My vision for movement(new)
Posted on by Justin
Statement of Intent/Vision
Statement of Intent
- The title of my project is: “The Poetry of Motion: An Exploration of General Movement”
- I want my audience to feel: Awe and wonder at the diverse manifestations of movement in the world around them. I aim to evoke a sense of fluidity and the continuous cycle of change that movement represents, inspiring viewers to notice the beauty in the simplest acts of motion.
- I will get inspiration and develop my ideas by looking for photographs that show: A wide range of movements, from the graceful flight of birds, the undulating waves of the ocean, to the gentle swaying of plants in the wind. I’ll study how photographers like Nicholas Goodden, Ernst Haas, Alexey Titarenko, Trent Parke, and Sam Taylor – Wood have used different photographic techniques to freeze or emphasize motion, and draw inspiration from their approaches.
My Vision
- Message: My message is to celebrate movement as a fundamental and captivating aspect of our existence. Movement is not just about physical displacement; it’s a symbol of life, energy, and evolution. By focusing on general movement, I want to show that it’s all around us, in nature, in the elements, and in the actions of living beings, and that it holds a unique kind of magic.
- How to show the message with photography: I will utilize a variety of photographic techniques. For fast – moving subjects like animals in motion, I’ll use high – speed shutter speeds to capture sharp, detailed images that freeze the moment. For slower, more fluid movements such as waterfalls or clouds, long – exposure techniques will be employed to create smooth, dreamy effects that convey a sense of continuity. I’ll also play with angles and perspectives to add a dynamic feel to the images. In terms of style, I’ll aim for a naturalistic approach, highlighting the raw and unfiltered beauty of movement. I’ll strive to connect this vision to a global context, emphasizing that movement is a universal phenomenon that unites all life forms across the planet.