Fernando Guerra is an architectural photographer who is one of representatives of Canon. Unlike other architectural photographers, he excels at finding the correct balance between man-made objects and the people suing them, adding both of them into the same picture. This creates a stunning image, as both the stark edges and shapes of infrastructure and how users frequent them is intricately represented.

 

I chose this photographer to correct my photography vision for the future. By adding more natural elements, such as people or plants, would not only provide more warmth but also make my photos more lively. Most importantly, a more diverse connection would be created, as I would not only be capturing how the infrastructure looks but also how it is used. In other words, my photos would be brought to life. I predict that it would add a layer of depth and detail to my photos that were not there before.

Left:

The left photo is my favorite of them all. I captured it by photographing the underside of a bridge by shooting straight up. This ensures that the components, including the metal bridge and the trees, would be aligned to each other. Using this technique, I could capture the unique lines and edges that a more normal angle would not reveal to the eye. In addition, the natural contours of the tree provides a nice balance of warmth to the cold geometric shapes of the metal bridge. In other words, it provides insight on how man made objects, although vastly different, can blend perfectly in with nature.

Middle:

The middle picture is also very interesting. It is a photograph of one of the tunnels that connect the various streets of 798.What pops out of this photo is the lights and shadows, which does a really good job of reenforcing the sharp angles of the pipes and the texture of the windows and walls. Another aspect that I particularly like is the stained windows on the top of the image. Coupled with the shadows, it creates a very mysterious atmosphere.

Right:

The picture to the right is taken on a bridge, looking down into the factory. As the factory has not been in operation for many years, it has long since been covered in layers of rust. This provides very intricate patterns on the surface of the maze-like pipes that runs along the sides. In addition, the photograph is shot symmetrically, with 2 pillars on each side and metal beams connecting them to the superstructure of the factory. This not only creates lines and edges, but also adds depth to the image. However, since it was taken on my phone, it can be noticed that the sky is overexposed in places.

I have chosen these 10 photos as my Green Set

They show one or more of these positive aspects, including:

• Edges, lines, and curves
• Shadows that help to reenforce the above
• Both black and white photographs. Colored photographs majorly focus on vibrant colors, while black and white photos show depth
• Wide shots to capture larger subjects
• Close-ups to show more small details
• Symmetry used
• Adjusted angles to better portray the subject

These are the 30 photos that I have chosen for my Yellow Set. They all show a decent number of interesting aspects.

 

These are my red photos. After much consideration, they are the best three photographs that I have ever taken in this set. In all 3 images, a high level of contrast, the correct use of light and shadows, and black and white editing all greatly fulfill my initial vision. However, they can improved in the future by using more extreme angles or artificially altered lighting to increase abstractness and depth. In the future, I will take that into account.

These images are my green photos. They all fulfill my vision of photography that include either closeups of ordinary bjects or architecture with distinct shadows and angles.

 

I have chosen these 30 photos as my “Yellow” Photos. These pictures all exhibit at least a certain level of abstractness, including usable choices of lighting, angles, and colors.

Why did you choose this image in particular?

I chose this photograph of its unique shapes, repeating patterns, and the vibrant colors that are not usually found in architectural photography.

What do you find surprising or unusual about this photograph?

I found that the unique colors of this photograph gave this representation a new feeling of vibrance, making it more lively.

Look carefully and choose ONE of the Formal Elements that you think is important in the photograph (E.g. Focus, Light, Line, Repetition, Shape, Texture, Value/Tone). 

The tone of this image is very special.

Describe why you think it is important (2 or 3 sentences) 

The tone makes good use of lighting to create both dark and light elements in the photograph. This creates depth in the image and leads to the emphasis of other elements, such as shapes and textures.

In what ways are your chosen artist’s photographs abstract?

The photograph is taken from a special angle to showcase the unrealistic patterns on the roof.

What do you like about the style? Be specific and explain your answer.

I like that the image is focused on developing textures and shapes through the correct us of lighting, creating points of illumination and shadows.

How will you adapt this style to your own photography? How does the image/artist inspire YOU?

I will use this style when taking my own photographs at the 798 Art Center and in the future. I predict that the use of different angles and lighting conditions will drastically increase the depth and abstraction of my images.

Characteristics: 

1. black and white or minimalist color 
2. diverse patterns 
3. Straight edges and lines 
4. Both round and edged shapes in one photograph 
5. Shadows and lighted areas 

 

Description:  

Firstly, most fo her pictures are edited into black and white or dimmed in color to show minimalism. In addition, there are a diverse range of patterns and textures from architecture. This is reinforced with both shadows they cast and the lighted areas, creating variety and depth. Many of the building feature straight edges and lines, and many kinds of shapes, both rounded and edged. 

Reason for choosing this photographer:

This photographer connects to my vision. She photographs abstract photographs of architecture, using lines, patterns, and varying lighting to demonstrate the beauty hiding under plain sight. 

Quote: “I have long been interested in creating a series of images, as I think most photographers long to do—to create something that defines their work, something that allows a feeling of accomplishment and portrays a piece of themselves and how they see the world.” 

 

Edges: 

The message of my album is to remind others to always have a keen eye for the beauty of ordinary objects that we have been accustomed to in our busy lives, especially the stunning architecture that we have grown accustom to. Sometimes surreal things offer the most complexity. 

I want the audience to be able to feel the beauty of their living environment and find new ways to interpret them. For inspiration, I will find photographers who capture constructions from a different perspective, capturing things in the nooks and crannies of our lives that we frequently overlook. There are many possibilities, architecture offering many ways of adjustment and variety, such as shadows or textures/patterns. In my opinion, this world is very beautiful and vibrant. All you need is a keen eye to seek them out.