Alex

"I have no special talent. I am only passionately curious" - Albert Einstein

statement of intent

My project is about taking pictures of the 798 Art District in Beijing using reflections. I’ll focus on the buildings and show people without actually showing them. I want to make people feel curious and think about what they’re seeing.

I’m getting ideas from photographers like Naoya Hatakeyama, who takes pictures of reflections in water. I’ll use things like mirrors and windows to create cool reflections. The pictures will be in black and white to make them look artsy. I’ll also use blurry backgrounds to make the reflections stand out. I hope people will see the city in a new way and think about how we all fit into it.

Mood Board

Mind Map

Top 10 Photos, Reflection

Mirrored Fragments of Reality:

  • Dutch Angle
  • Depth of Field
  • Tone
  • Lines

  • Dutch angle
  • black and white contrast
  • depth of field of the use of focus

  • Position of the camera (Looking Up)
  • Black and White color/tone contrast
  • Depth of field and focus of the water droplets

  • Black and White color/tone contrast
  • Use of mirrors (reflection)
  • Positioning of the three people (pure luck)

  • Dutch angle
  • Black and White color/tone contrast
  • Use of mirror (reflection), making it look like the image just appeared into reality

  • Use of the convenient color contrast of dark blue and dark red
  • Use of mirror (reflection)
  • Bit Centered position of the mirror as the contrast in the image

  • Use of mirror (reflection), making it look like the person is reading the book
  • Positioning, making the book perfectly appear in that specific angle where both the person and the book is visible

  • The use of dark color contrast
  • Use of mirror (reflection)
  • Positioning, making the statue perfectly appear with the background

  • Dutch angle
  • Use of mirror (reflection)
  • The edited black and white background with the colorful center of the reflection
  • Mr. Dawson

Tenth Picture, Honorable mention

  • Use of mirror (reflection)
  • The reflection created an rather “interesting” sight, creating comedic effects

Research the starting point

Overview of Photographers and Their Works

Lee FriedlanderNaoya HatakeyamaLisette Model, and Robert Gilden, uses reflections in their photography to explore themes like society, identity, and the environment. Lee Friedlander is well-known for his black-and-white photographs that include reflections in mirrors, windows, and glass. One of his notable images features a wing mirror reflecting a church sign, surrounded by trees and cars, creating layers of meaning in an everyday scene. Naoya Hatakeyama’s “Tokyo Series” examines urban landscapes and their relationship with nature, with one striking image showing a cityscape reflected in a puddle, blending natural and urban elements to highlight the impact of development on the environment. Lisette Model captured urban life through reflections in shop windows, such as her famous photograph of a woman behind a glass window surrounded by bustling city reflections, which explores themes of isolation and connection in New York City. Robert Gilden often includes self-portraits through reflective surfaces, like his image of himself reflected in a storefront window alongside the chaotic street life behind him, blending personal identity with public spaces.

Comparison of Works

The works of these photographers share similarities but also have unique qualities that set them apart. Lee Friedlander focuses on capturing everyday American life by using reflections in mirrors to create layered compositions, such as his wing mirror photograph that combines the church sign with its surroundings. Naoya Hatakeyama’s work contrasts urbanization with nature by using reflections in puddles or glass to show how cities distort natural elements, as seen in his Tokyo Series image of a cityscape reflected in water. Lisette Model’s photographs explore urban life and human isolation by capturing reflections through shop windows, like her image of a woman behind glass surrounded by street activity, which contrasts the subject’s stillness with the movement outside. Robert Gilden’s work is more personal, often including self-portraits through reflective surfaces to explore identity and presence within public spaces, such as his storefront reflection that merges his figure with the busy street scene. While all four artists use reflections to add depth to their compositions, Friedlander focuses on societal observations, Hatakeyama emphasizes environmental themes, Model highlights human connection and isolation, and Gilden explores self-reflection within urban environments.

 

Context and Influences

The context in which these photographers worked had a significant impact on their art. In terms of societal context, each artist reflects their unique environment: Friedlander captures American culture during the 1960s when street photography was gaining popularity; Hatakeyama responds to Japan’s rapid urbanization and its effects on nature; Model explores the vibrancy and complexity of New York City life; and Gilden examines modern identity within public spaces. Historically, these photographers worked during times when photography as an art form was evolving—Friedlander and Model were influenced by the rise of street photography, while Hatakeyama’s work reflects concerns about environmental changes tied to modernization. Biographically, their backgrounds shaped their perspectives: Friedlander’s American upbringing informed his focus on everyday life; Hatakeyama’s interest in science influenced his exploration of urban landscapes; Model’s European roots and move to New York shaped her view of city life; and Gilden’s personal experiences are reflected in his self-portraits. Psychologically, their emotional states are suggested through their work—Friedlander’s images often feel observational yet detached, Hatakeyama’s evoke concern for nature’s fragility amidst progress, Model’s reflect both connection and isolation in urban spaces, and Gilden’s self-reflective works suggest introspection within chaotic environments.

 

Theme: Tokyo Night City Skyline

Tokyo’s night city skyline is a captivating subject for photographers, offering a vibrant mix of lights, shapes, and reflections that create stunning images. To capture this beauty effectively, photographers can use several techniques that enhance their work. One key technique is long exposure, which allows for the creation of light trails from moving cars and the softening of city lights, giving the skyline a dreamy quality. By using a tripod and a small aperture, photographers can achieve clear and detailed images of the skyline while capturing the dynamic energy of the city at night. Additionally, finding the right vantage point is crucial; elevated locations such as rooftops or observation decks provide unobstructed views of the skyline, allowing for interesting foreground elements that add depth to the composition. The blue hour, just after sunset, is another important time to shoot, as it offers a magical balance between natural and artificial light, making the city glow against a deepening sky. Photographers can also experiment with different light sources, incorporating neon signs or streetlights to enhance the urban atmosphere. By combining these techniques with an understanding of Tokyo’s unique nighttime vibe—filled with bustling streets and bright advertisements—photographers can create powerful images that reflect both the beauty and complexity of this iconic cityscape. Overall, capturing Tokyo’s night skyline requires careful planning and creativity to convey its enchanting essence through photography.

Initial Thoughts

When I think of reflection, I think of mirrors, symmetry, and balance. I enjoy using a 25mm lens Canon camera, for it can be applied when taking a wide shot or close-up. I might use a natural puddle after a slight shower, or any aquatic scene like a swimming pool or a fountain in 798.

Tatsuya Tanaka inspired images

Miniature Market Marvels

Inspiration:

My four photographs are inspired by Tatsuya Tanaka’s Miniature Calendar series and focus on the theme of shopping. The setup features two iPhones placed on top of a laptop, with the iPhones displaying pictures of food while the laptop screen shows a vibrant shopping area as the background. LEGO minifigures are positioned on either side of the iPhones, pretending to shop and browse items on the screens, creating a playful and imaginative scene. Adding to the story, three Apple Mouses are lined up beside the laptop, representing cars that the LEGO figures used to arrive at this digital “marketplace.” Each photograph captures this creative setup from different angles, highlighting the blend of everyday technology and miniature storytelling in a unique and engaging way.

Deeper analyzation:

Photo One features an overhead shot of the computer setup, capturing the entire arrangement of the two iPhones, LEGO figures, and the laptop. This angle provides a clear view of how all elements interact within the scene, allowing viewers to appreciate the overall composition and context.

Photo Two takes a ground-level shot from the right side of the computer. This perspective offers a close-up view of the LEGO figures as they engage with the iPhones. By applying the Rule of Thirds, I positioned key elements along the grid lines to create balance and draw attention to the figures while using depth of field to blur the background slightly, adding focus to the action in the foreground.

Photo Three also utilizes ground-level techniques but zooms in closer on the LEGO figures as they appear to get out of their “cars,” represented by the Apple Mouses. This close-up enhances the storytelling aspect, making it feel like a moment captured in time as they prepare for their shopping adventure.

Finally, photo Four maintains similar techniques but shifts focus to highlight details on the screens of the iPhones and laptop. By emphasizing these elements, viewers can see what the LEGO figures are “shopping” for, creating a more immersive experience. Each angle contributes to a cohesive narrative while showcasing different facets of this playful shopping scene.

Photography 2: Composition Exploration

Translucent Loneliness

*From up to down chronologically:

  1.  In this photograph, I applied the Rule of Third, which distributed/utilized more of the right side of the picture. This creates a more dynamic and balanced competition. I also left open spaces around the main focus and created a sense of isolation and loneliness. As well as the use of the colorful book stack in the center, it contrast with the white two third portion of the background, again provoking that feel of separation from “society”.
  2. Balance, Negative space, Word use
  3. Framing, Balance, Color
  4. Negative space, Color
  5. Perspective, Framing, Depth of Field
  6. “Microwave rabbit”: Negative space, Color/tone,  balance
  7.  Perspective, framing,  slight dutch angle
  8.  Framing, color/tone, balance
  9. Depth of Field, Dutch angle, balance, space, color/tone

PRESENT

“Everything I Own”

The final images successfully answer my original intent of exploring identity through personal belongings by showing the stories and emotions connected to each item. My goal was to demonstrate that our possessions are not just objects; they reflect who we are and what we care about. Each of the 225 images captures a unique item, inviting viewers to think about the memories associated with it. To develop my ideas for this project, I experimented with different ways to organize and present the images, trying out layouts like grids and clusters to see which worked best. I also focused on lighting and backgrounds to make each photograph visually appealing while keeping them connected as a collection. Throughout the project, I listened to feedback from peers and mentors, which helped me refine my approach and emphasize the emotional significance of each object. As I worked on this project, I learned to pay attention to details like color and texture, which helped create a stronger visual story. Overall, these final images come together to create a powerful narrative about identity and the meaningful connections we have with our belongings.

IDENTITY

Vision for the Set

My vision for this set is to explore how our possessions connect to our identity. Each item represents a piece of the artist’s life, creating a story that highlights the importance of both ordinary and special things.This set will focus on how these items not only tell us about the artist but also make us think about our own lives. By showing everyday objects alongside thoughtful reflections, the set aims to encourage viewers to consider what they keep and what those choices say about them.

Simon Evans

Simon Evans is known for his creative collages that mix humor with deep ideas. His work often uses concrete poetry, where words and images come together, allowing people to enjoy both the visual and thoughtful parts of his art.In Everything I Have, Evans organizes his belongings in a grid format, which can be seen as a way to create a self-portrait. This method not only shows what he owns but also makes viewers think about their own connections to material things. His playful yet serious style reflects a humorous distance from consumerism, encouraging people to reflect on their lives and the stories behind their possessions.Evans’s art combines personal experiences with big questions about life, often using humor to tackle serious topics. This mix makes his work easy to understand while still encouraging deeper thought about who we are and how we relate to the things we own.

Everything I Have

Everything I Have shows a collection of everyday items like clothes, food, and household objects arranged neatly in a grid. This particular illustration showcases Evans’s skill in turning ordinary things into something visually striking.The repeated patterns in this image create a sense of order that draws viewers in, inviting them to look closely at each item. The attention to detail allows us to see not just the objects but also the memories they hold. For example, an illustration of an old pair of shoes might remind someone of past adventures or important moments in their life.Additionally, this image comments on consumerism; by displaying these items so neatly, Evans encourages viewers to think about their own shopping habits and the emotional value of their belongings. The mix of humor and reflection in this piece captures Evans’s artistic style, making it a powerful example of his work.

Contact Sheet:

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