Charles Frederick Williams
Charles Frederick Williams is an Irish-Scottish famous war correspondent. He sailed to the Southern United States for his health and joined a filibustering expedition to Nicaragua, where he observed some stiff fighting and was reportedly recognized as a blockade runner. William went astray from his party and had to wander in the forest for six days. After he saw a small boat, he got back to the nearest British settlement. He was in the London Irish Rifles and he was a Sergeant there.
However, looking at the works remaining of Williams, Cox imprint is all over. A watercolour view of Dartmoor presents a rather large, unpenetrated rhetoric of layered greens. Moorland undulates and nestles cradges amounts of foliage and rises up to break slate grey cliffs above the cliffs. Over all this there is a sickly sky which Williams leverages to light up the background and show great detail of what is going on in the front ground.
There is also that sparking energy, revived in Williams’ oil paintings and that which possessed the works of Cox. Vivid sky is built with unstable motion by the storm stoked accelerator brush, infected with temperamental; moody mid tones impregnating asphyxiating greys over the struggling upper blue. Trees where its route could afford the bend turn to a spitting river is full of activities. Boldness of character is present in the imprint and revitalizes concepts connected to nature with a transient sensation. It provokes a feeling that the scenes themselves exist.
All his life was regardless, taking the memorable shots in the war that have been recorded down to history and also receiving the Queen’s Sudan Medal.
My ideal goal is to capture metaphorical photographs that convey deeper meanings, inviting viewers to explore the hidden narratives within each image. By utilizing composition, lighting, and symbolic subject matter, I aim to create visuals that resonate on multiple levels, encouraging personal interpretations and emotional connections. Whether through contrasting elements or thoughtful post-processing, each shot will serve as a canvas for exploring themes like identity, nature versus technology, and the passage of time, ultimately transforming ordinary moments into profound reflections on life and experience.
Evan Vucci is an acclaimed American photojournalist and chief photographer for the Associated Press in Washington, D.C., known for his compelling visual storytelling across various subjects, including sports, the U.S. military, and politics. He was part of the AP team that won the 2021 Pulitzer Prize for Breaking News Photography, notably capturing powerful images of Donald Trump shortly after he was shot during a political rally in Pennsylvania. One striking photograph shows Trump with blood on his face, raising his right fist while yelling “Fight,” symbolizing resilience amidst chaos and reflecting the intense political climate of the time. Trump’s aggressive posture and the prominent display of the national symbol suggest a charged political rally or event, where he is likely rallying his supporters and asserting his unyielding stance. The photograph encapsulates the intense polarization and divisiveness that characterized much of Trump’s presidency, the framing structured as in a triangle (*trianglke is known as theb strongest gematrical shape in the world*) as he continues to project an unwavering, combative persona even in the face of significant political and social turmoil. This striking visual serves as a potent symbol of the tumultuous era in American politics, inviting viewers to reflect on the complex interplay of nationalism, populism, and the deep ideological rifts that have shaped the nation’s recent history.
Vucci’s work not only documents significant events but also shapes public understanding of pivotal moments in contemporary history.
As both artists emerge, I feel that right now the world can be adjusted in many ways, and the best way to change is to tell everyone that makes cautions to get awareness of doing it.