Pictures Taken in Shine Hills
Yellow Pictures
Green Pictures
Red Pictures
Final
Two young people are seen leaving a statue of a saluting figure to the left of the camera in the first picture, which was taken in a tiny hallway. Strong lines and harsh lighting give the picture momentum and direction, but the statue’s presence—frozen in a reverent gesture—contrasts with the spectators’ casual indifference. I wanted to investigate the complex connections between ritual and routine, as well as between the past and the present, by taking this picture. This brief moment, which is frequently missed, encourages viewers to consider the silent witnesses—statues or memories—that are present in our everyday surroundings and to give careful consideration to the things they pass without giving them any attention.
In the second image, a young man is seen cycling along a paved path with trees and open fields all around. The composition’s simplicity and lack of clutter highlight the feeling of isolation and space. I wanted to convey the subtle beauty of transition—the act of physically and figuratively shifting from one place to another—by picking this particular moment. Despite the rider’s solitude, the scene is serene rather than desolate. This picture aims to provoke reflection by implying that there is space for reflection and self-discovery even during the most routine commutes or lonesome travels.
The third image depicts a bustling scene in an amusement park, with kids riding tiny electric cars and a uniformed security officer strolling by. The children’s lively play contrasts with the adult’s solemn demeanor, emphasizing how freedom and order can coexist in public areas. By taking this picture, I wanted to highlight the nuanced relationships between roles and generations—how kids live in a world of play and imagination while adults offer security and structure. This commonplace scene, which could be written off as unimportant, actually has layers of significance related to joy, community, and responsibility.
I hope that these pictures will convey to viewers the importance of every in-between moment, no matter how unimportant it may seem. I want my audience to stop, think, and maybe notice the little things in their own lives that are often forgotten, inspired by Jonathan Jasberg’s method. Even in the most commonplace and familiar situations, something significant is always taking place, as my project serves as a reminder.