Photo 1. 

  • There’s a very light vignette, and a large change in the lighting of the photo 
  • Focused on the subject instead of the water droplets 
  • Heavy contrast between the colour of the hoodie and the vibrant red of the subject’s lips 

Photo 2.  

  • A stronger vignette around this photo, but it’s softer around the edges 
  • Not exactly focused on either the subject or the droplets but the space in between the two 
  • Portrait instead of a landscape that is usually done 

Photo 3.  

  • Biggest change is the lighting of the photo, and the definition is completely depleted 
  • Focus also not on the subject nor the water droplets 
  • The most popping colour is the red of the subject’s nails 

Photo 4. 

  • Colour maximum vs light minimum 
  • Focus more on the person instead of the water 
  • Also, in portrait not landscape 
  • High contrast between the yellow background, blue hoodie and red lips 

Photo 5. 

  • The light and colour have been increase, the light more than the colour 
  • The focus is again on the person, there’s a gap on the piece of glass where you can clearly see the subjects face 
  • The background is a lively colour, a light happy yellowish colour that matches the small smile on the subject’s face 

Photo 6. 

  • This picture has maximum lighting and colour. These changes make the light reflection off the mirror more prominent/obvious 
  • The red in the background contrast the green leaves of the plant and the blue of the mirror frame 
  • The picture uses rule of thirds, as you can see that the mirror isn’t centered in the photo, instead it to the left. And the reflected image of the tree is also not in the center of the mirror, it’s to the right of it.  

Photo 7. 

  • The photo is completely in black and white 
  • There’s lots of negative space surrounding the mirror, helping maintain the focus on the reflected image in the mirror 

Photo 8. 

  • The selective colour that I changed was the electric blue, moving the saturation to 100% 
  • The colour’s majorly contrast each other, the bland gray and the electric blues 
  • There’s a pattern off the building in the mirror reflection and it seems that the mirror emphasizes that pattern, especially the size of the lines 

Photo 9. 

  • This picture is also in black and white, no other changes 
  • Photographed halfway up the metal slide in the OLE, taken from the angle looking up at the mirror while the mirror was tilted downwards 
  • Reminding me of power imbalance, looking down on those who take photos of you, write articles, especially those who look down on the media

Photo 10. 

  • The colour vibrance is maximized 
  • Mirror is placed inside of the window while I took the photo on the outside of the window, capturing both me in the reflection of the mirror and window 
  • The magenta of the couch heavily contrasts the blue of the mirror 
  • The camera is the focus of the mirror whereas the window reflection is of the playground