Andreas Gursky
I am inspired by Andreas Gursky’s skilled mix of computer change with large-scale photography, which results in visually striking pieces that challenge our understanding of reality. His photographs often show broad views and minute details, transporting the audience to a world where the ordinary rises to the extraordinary. Gursky’s investigation of globalization and spending, as well as his excellent use of color and structure, strikes an emotive chord with me and inspires a fresh understanding of the complexity and beauty of our environment.

Andreas Gursky. (n.d.). Home. Retrieved May 30, 2025, from https://www.andreasgursky.com/en

Garry Winogrand

I am inspired by Garry Winogrand’s outstanding ability to capture the unpredictability of daily life. Ordinary situations become outstanding because to his honest photos, which capture the energy and richness of urban life. Winogrand’s distinct viewpoint inspires me to take a closer look at the world and discover beauty even in the midst of everyday encounters. Every sight has a narrative waiting to be revealed through the lens, as his work reminds me.

 

Kaninsky, Martin. (2023). Garry Winogrand: The Spontaneous Chronicler of American Life. About Photography. Retrieved May 30, 2025, from [https://aboutphotography.blog/photographer/garry-winogrand]

Vision
I want to start a photography project that combines Garry Winogrand’s unfinished, unplanned moments with Andreas Gursky’s broad, complex works. My intention is to demonstrate how regular life may contain the remarkable. I think that by combining these two approaches, I may produce pictures that inspire viewers to stop and appreciate the beauty in their surroundings. Every image will convey a story, showcasing the colorful, frequently missed details that give our cities their depth and life. I want the audience to identify with these scenarios and be motivated to discover their own tales in everyday life.

 

 

 

Zhonggang Contact sheet

What feelings/states of mind of the photographer are suggested by the image?

The author demonstrates how even a “bad” photo can include beneficial elements. This calls into question the common rules of photography, implying that photos that break them are still good. By emphasizing creativity over correct standards, the author encourages us to see value in all types of photographs, which may yet show personal stories and evoke emotions.

 

Referencing the picture above entitled “Wrong!” Can a ‘bad’ picture ever be ‘great’? – How important is the context in photography?

During the process of Baldessari making these “Wrong” pictures, I think that even pictures that didn’t have good expressions, or good looks, if they had a really deep context, then that is still a good picture, this spirit was also informed from Baldessari, as his burned his artwork, just because wanting to step towards a more encompassing vision, As a result, the spirit of Baldessari is trying to express is a spirit of, with expressing even “Wrong” picture could inform a huge amount of deep information.

 

Why John Baldessari Burned His Own Art – Jstor Daily, daily.jstor.org/why-john-baldessari-burned-his-own-art/. Accessed 17 Jan. 2025.

YouTube, YouTube, www.youtube.com/watch?v=a730zQW_P-I. Accessed 17 Jan. 2025.