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"I have no special talent. I am only passionately curious" - Albert Einstein

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The Set

  • Top-left: Individual Gaze in a Classical ContextThe photo features an elderly person with gray hair leaning on a traditional Chinese stone railing, with the eaves of classical architecture and modern passers-by in the background. The carved details of the railing (such as the patterns on the column tops) highlight the spatial attribute of a Chinese garden or historical block. The elderly person’s posture conveys a quiet observation of the surroundings, forming a “dialogue between the individual and the environment” in the classical scene and reflecting the humanistic warmth in the historical space.

 

  • Top-right: A Daily Moment in a Street MarketIt focuses on a middle-aged man smoking near a commercial street, with bustling shops and crowds in the background. The man’s casual posture and the lively street scene behind him present a slice of ordinary urban life, showing the vitality and triviality of the city’s commercial area.

 

  • Bottom-right: Labor and Urban MaintenanceA sanitation worker is cleaning the street by the water. The black-and-white tone emphasizes the labor scene. The worker’s professional clothing and cleaning tools highlight his identity as an urban service provider, and the act of cleaning reflects the daily maintenance of the city’s appearance.

 

  • Bottom-left: Social Interaction in a Leisure SpaceSeveral elderly people gather and interact by the lake. The black-and-white color scheme gives a sense of tranquility. The scene by the water and the casual postures of the elderly show the leisure and social life of urban residents in public spaces, reflecting the relaxed side of city life.

Mood Board

Identity Portrait (definition)

A portrait is a photographic work that centers on capturing a person’s identity—whether through their face, gestures, or the context that reflects their character. For example, Richard Avedon’s In the American West series uses stark, full-body shots of cowboys and laborers, not just close-ups of faces, to reveal their life stories, proving portraits are about conveying who someone is, not just how they look. And , selfies can be portraits: they’re intentional attempts to express one’s identity, just like traditional portraits. Cindy Sherman’s Untitled Film Stills—where she dresses as different characters and photographs herself—are essentially elaborate selfies, yet they’re celebrated as iconic portraits because they explore identity, showing selfies qualify when they carry purpose beyond casual documentation.

Inspiration- Street Photography

Formal Language and Stylistic Features

Presented in high-contrast black and white with coarse grain, the work features noticeable motion blur and defocus. This “imperfect” technical approach is not a flaw but a deliberate artistic choice—Moriyama’s signature aesthetic of “shake, blur, and grain”. The graininess emphasizes the raw texture of the street, while the blur and motion capture the spontaneity of his “roaming” shooting style, like a stray dog capturing an impromptu slice of life on the street, full of original restlessness of daily existence.

Theme and Emotional Expression

The work focuses on a running girl, whose dynamic movement contrasts sharply with the blurred street background. This contrast highlights both the vivid vitality of childhood and the disorder and alienation of the urban environment. Moriyama elevates this ordinary street moment into a metaphor for urban survival: the girl’s run is both a release of youth and an implication of the anxiety and uncertainty in post-war Japanese society. This sense of contradiction is a microcosm of the themes of “desire and alienation” in his works.

Creative Concept and Cultural Context

As a representative of the “Provoke” movement, Moriyama’s photography rejects the polished aesthetics of traditional photography. Instead, he uses rough, unruly images to reflect the spiritual crisis and social fragmentation of post-war Japan. This work, with its chaotic yet intense visual language, embodies his belief that photography should be a “document of the soul” — capturing not just scenes, but the undercurrent of emotions and tensions in modern urban life.

Statement of intend (street photography)

October 28, 2025 / Sophia Zhao / Street Photography
The title of this project is Monochrome Whispers of Hutong. The story I want to tell with my photographs is the view of Beijing Hutong’s human, which exists in black and white, and how monochrome tones strip away distractions to reveal the raw, unfiltered emotions and textures of daily life. When people who do different jobs appear on the street. I find that the absence of color forces viewers to focus on shapes, contrasts, and the subtle narratives hidden in shadows and highlights—there’s a rawness in black and white that feels both timeless and intensely present. I really appreciate how it transforms ordinary scenes into something almost surreal, yet candid, capturing moments that feel fleeting yet eternal in their monochrome form.
I want my audience to feel the pulse of the Hutong stripped to its core, to connect these people with the photographs not just visually but emotionally, as black and white has a unique power to evoke nostalgia, tension, or quiet contemplation. My intent is to capture the soul of urban life—its chaos, its solitude, its beauty—in the stark language of monochrome. Daido Moriyama is one of my inspirations because of the way he uses black and white to confront the gritty, unpolished reality of city life. His bold, high-contrast style and willingness to embrace imperfection turn everyday scenes into powerful statements about modern existence.

Street photography shots

 

1. The Decisive Moment

2. Work the Scene

3. Don’t Move – fishing technique

4. Capture Gestures

5. Avoid Distraction

6. Capture Eye contact

 

statement of intend

Statement of Intent: Abstract Photography (Working Title: “Fragments of Light, Echoes of Place”)

  • Message: My triptych will explore how abstract photography can reveal the hidden beauty of urban and natural environments threatened by overdevelopment. It invites reflection on how we overlook subtle, textural details of our surroundings amid fast-paced, visually cluttered lives—urging a slower, more intentional engagement with the world we risk eroding.
  • Audience Response: I want my audience to feel curiosity and quiet wonder, followed by a gentle awareness of the small, abstracted elements that make spaces feel alive. I hope they leave with a desire to pause and notice the “unseen” beauty in their daily environments.
  • Inspiration: I will get inspiration and develop my ideas by looking for photographs that isolate textural fragments (like cracked concrete, layered foliage, or refracted light through glass) and use minimal color palettes to emphasize mood over context. I’ll seek work that transforms ordinary scenes into abstract compositions, blurring the line between natural and manmade forms.
  • Closing sentence(s): Abstract photography, for me, is a tool to reawaken reverence for the world’s quiet details—details that hold meaning even when stripped of their familiar contexts. By highlighting these fragments, I aim to remind viewers that beauty and significance exist in the spaces we often rush past, and preserving them starts with noticing them.

photo safari

Definition of Street photography

Definition:
Street photography is a genre centered on public spaces, focusing on capturing unposed, spontaneous everyday moments—whether it’s pedestrian interactions on city streets, the warmth of market scenes, or fleeting pauses at bus stops. It emphasizes seizing the “decisive moment”—the split second when light, composition, and human actions align perfectly to freeze authentic textures. At the same time, it acts like a cultural snapshot, documenting the rhythm of life and human nuances in a specific era, and uncovering thought-provoking meaning within ordinary daily life.

Analysing

Setting and Architecture

  • The buildings in the background suggest a residential or possibly a small institutional setting. The structure, with a more elaborate, almost whimsical façade, stands out, contrasting with the more modest, single-story house nearby. This mix suggests a location with distinctive architectural character.
  • The presence of a greenhouse-like structure (with glass panels) indicates an interest in horticulture or plant cultivation, adding a layer of context about the activities or passions associated with the location.

Landscape and Vegetation

  • A tall palm tree dominates the mid – ground, signaling a warm, possibly coastal or subtropical climate, as palm trees are typical of such regions.
  • The surrounding vegetation, including bushes and other trees, contributes to a lush, outdoor environment, enhancing the sense of a place with favorable growing conditions.

Human Element

  • A man stands on the curb, providing a sense of scale to the scene. His casual attire (a light – colored shirt and dark pants) suggests a relaxed, everyday moment, perhaps during a visit or a routine stop.

Transportation and Time Period

  • The vehicle partially visible on the right appears to be from a past era (likely mid – 20th century, judging by its design), which, combined with the black – and – white format, places the photograph in a historical context. This gives a glimpse into transportation and daily life of that time.
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