Yehyeon

Category: Street Photo

Street Photo mind-map

October 16, 2025 / / 0 Comments

Statement of intent – Hutongs

October 16, 2025 / / 0 Comments

The title of this project is…

“The Beauty of the Unposed”

The concept/story I want to tell with my photographs is…

I want to share a sense of quiet grace that can be overlooked in everyday life, especially in urban environments. I want to portray moments where light, motion, and feeling come together in harmony to demonstrate the beauty that is unplanned and just exists. My project will also examine the idea that simplicity and truth can reveal a greater sense of visual poetry.

I want my audience to feel…

I want my audience to feel a slight sense of wonder and appreciation for what we might call the mundane. I want my photographs to inspire slowing down and appreciating those small moments of delicate beauty in everyday life.

I will get inspiration and develop my ideas by looking for photographs that…

I will get inspiration and develop my ideas by looking for photographs that use natural light, softer tones, and balanced composition to convey spaces with quiet emotion. I am most interested in street photography demonstrating spontaneous beauty, what seems to be really happenstance, yet, very human.

The techniques I will use for my photographs are…


I plan to use techniques such as layering, reflection, and playing with light and shadow to add depth and emotion to my images. I’ll also experiment with framing — using windows, doors, or other shapes within the scene to guide the viewer’s eye. In addition, I’ll look for candid moments that show genuine expressions and interesting compositions that highlight natural beauty in an unforced way. By combining these techniques, I hope to create photographs that feel both spontaneous and thoughtfully composed.

Gianni Berengo Gardin ( Artist & Favorite Photo Analyze )

October 14, 2025 / / 0 Comments
  • Inspiration :
  • Gianni Berengo Gardin presents the natural beauty of the quotidian human experience with honest observation, rather than created scenarios. He employs black and white tones, soft light, and a non-traditional, but balanced composition to eliminate distractions and isolate real emotion. By photographing human subjects unceremoniously and in real time, Gardin brings the extraordinary into quotidian settings, creating timeless and poetic images that are both real and humanistic.

 

  • Analyze my chosen artist:

Gianni Berengo Gardin is an Italian street photographer known for capturing everyday life with honesty and simplicity. His black-and-white photographs reveal ordinary moments that feel timeless, often focusing on people in public spaces such as trains, streets, and cafés. His work is deeply connected to human emotions—he doesn’t just document life but observes it with empathy. Gardin once said, “Photography must tell the truth, not make it more beautiful than it is.” This quote shows his belief in authenticity, which inspires me to focus more on genuine emotions rather than perfection in my own photography.

Gardin’s work relates to other street photographers like Henri Cartier-Bresson, who also valued the “decisive moment.” However, Gardin’s tone feels more intimate and reflective, showing Italian post-war society through a quiet, poetic lens. During his time, Italy was rebuilding itself both culturally and socially, and his photographs mirrored that change. His images were influenced by neorealist film and documentary traditions, especially the idea that art should reflect reality rather than escape it. This cultural context helped shape his simple but emotionally powerful style.

What I admire most about Gardin’s photography is how subtle yet emotional it is. He doesn’t rely on dramatic light or editing but instead captures truth in the smallest gestures and expressions. His approach taught me that photography isn’t about what looks perfect, but about what feels real. In my own street photography, I want to apply this mindset—focusing on real people and genuine stories instead of artificial poses. Gardin’s belief that “a good photo is one that tells a story” motivates me to look more carefully and patiently at the world around me.

  • Critique –my favorite photo :

         

         -> My Favorite One !!

  • This photograph by Gianni Berengo Gardin shows a couple sitting closely on a bench while a train rushes past behind them. The image is in black and white, which immediately gives it a timeless and emotional quality. The tones are soft but contrasted — the blurred train creates streaks of motion, while the couple remains sharp and still. This difference in focus draws attention to the human connection at the centre of the frame. The composition feels balanced and carefully considered: the couple is slightly off-centre, following the rule of thirds, and the horizontal lines of the train emphasize speed and direction. Gardin’s viewpoint is at eye level, suggesting he stood quietly and waited for the right moment — a method typical of his patient, observational street photography.

    The photograph gives the impression of stillness within chaos. The background is full of motion, yet the couple appears calm and absorbed in each other, almost unaware of the world rushing by. There is a sense of warmth and intimacy that contrasts beautifully with the cold, industrial setting of the train station. The image suggests a reflection on human emotion — how love and connection can exist even in fleeting, noisy environments. It feels both cinematic and real, as if we are witnessing a private story in a public space. The immediate impact this image has on me is a feeling of tenderness mixed with nostalgia, like watching a moment that will never repeat.

    This photograph “works” perfectly because every element supports Gardin’s main idea: truth, emotion, and the beauty of ordinary life. The contrast between motion and stillness creates a visual metaphor for time and memory. Like much of Gardin’s work, it focuses on people rather than events, showing his deep empathy for human experience. What inspires me most is his ability to find poetry in everyday life — no posing, no exaggeration, just honest observation. It reminds me that strong photography doesn’t come from dramatic subjects, but from patience, timing, and genuine emotion. If I could ask Gardin two questions, I’d ask: “Did you wait for that exact train to pass behind them?” and “What story did you imagine when you saw the couple sitting there?”

  • This photograph by Gianni Berengo Gardin captures a joyful and spontaneous moment in a crowded public place, possibly near a cathedral or a busy square. The image is in black and white, giving it a timeless and documentary quality. In the foreground, a man lifts a smiling woman onto his shoulders as she takes a picture, surrounded by a sea of people. The composition feels alive but balanced — the couple is placed slightly to the left, following the rule of thirds, while the crowd fills the background with movement and texture. Gardin likely used a medium lens and stood still, waiting for this perfect mix of action and emotion. The soft mid-tones make the image feel warm and human, rather than harsh or chaotic.

    The photograph gives a feeling of happiness and connection. Even though the setting is full of people, the couple stands out as the emotional centre of the image. The scene portrays a sense of freedom, love, and shared experience, showing how personal joy can exist within public space. The focus on genuine laughter and body language reflects Gardin’s belief that photography should capture real life, not pose it. The immediate impact this image has on me is a feeling of warmth and admiration for how simple moments can become beautiful memories. If I had to give this photo a title, I would call it “Joy Among the Crowd.”

    This photograph “works” because all its elements — composition, light, and subject — communicate one strong idea: finding beauty in everyday human emotion. The dynamic background contrasts perfectly with the intimacy of the couple, symbolizing love standing out in a busy world. Like much of Gardin’s work, it celebrates truth, patience, and empathy. It inspires me to observe carefully and capture spontaneous emotions in my own photos. If I could ask Gardin two questions, I’d ask: “Did you know the couple or were they strangers you noticed?” and “What made you decide to press the shutter at that exact second?”

  • This photograph by Gianni Berengo Gardin shows a couple sharing a kiss beneath a long row of arching columns. The image is in black and white, which immediately emphasizes the contrast between light and shadow, creating a strong sense of depth and rhythm. The arches form repeating patterns that guide the viewer’s eye straight toward the couple, who stand perfectly placed in the centre. The composition feels calm and balanced — the symmetry of the architecture contrasts beautifully with the small, tender human moment. Gardin likely used a medium lens from a distance, allowing the viewer to focus on the scene without disturbing it. The result is a photograph that feels timeless and quietly powerful.

    The photograph gives a feeling of stillness and intimacy. The calm setting and the absence of other people make the viewer concentrate entirely on the couple. The black and white tones intensify this effect by removing distraction and highlighting emotion instead of color. There is a sense of serenity, as if time has slowed down just for them. The scene portrays love as something gentle and private, surrounded by the order and beauty of the architecture. The immediate impact this image has on me is a sense of peace — I like how Gardin captures emotion through silence rather than motion. If I could give this photo a title, I would call it “A Quiet Kiss.”

    This photograph “works” beautifully because every element — the composition, tone, and framing — focuses attention on the couple and their emotion. The repetition of arches creates structure, while the monochrome palette adds emotional depth. Like much of Gardin’s work, it shows how simplicity can be deeply expressive. What I love most is how the photo feels still yet full of meaning; it inspires me to capture moments that speak softly but powerfully. If I could ask Gardin two questions, I’d ask: “Did you plan the shot around the architecture, or did the moment happen first?” and “What does silence mean to you in photography?”

  • conclusion ( My thoughts about Gianni Berengo Gardin ) :What I admire most about Gianni Berengo Gardin is that he believes a photographer should “record natural moments and let the pictures tell the story.” His photographs are truly successful because everything comes together — the light, the composition of the photograph, and the moment — all to convey one strong idea: the beauty of real life. I love how the light in his photographs is soft and never over the top, and I love how composed, yet emotional, the photograph feels. Nothing feels staged, or contrived, and instead discloses quiet truths about people and space. Seeing how he has transformed a moment of everyday life into a beautiful, meaningful story makes me more aware to find authenticity in my photography, and to express emotion through simplicity.

Street photography

October 9, 2025 / / 0 Comments

  • This photograph focuses on the person as the main subject while also capturing the camera within the frame. The composition uses layering, placing the camera in the foreground and the person in the middle ground to create a sense of depth and perspective. By including both the photographer and the subject, the image highlights the connection between the observer and the observed, making the viewer more aware of the act of photography itself.

  • This photograph uses layering to combine a red umbrella and a person in the background, creating visual depth and balance. The bright color palette serves as the main highlight, drawing the viewer’s eye to the vivid red that contrasts with the softer surroundings. Through this composition, the image conveys a lively and warm atmosphere while emphasizing how color and layering can shape focus and emotion in photography.
  • This photograph focuses on the thick water droplets, using layering to highlight the texture and reflection on the wet surface. The camera captures the puddled ground in detail, showing how light interacts with the water to create depth and subtle movement. By emphasizing the droplets in the foreground, the image conveys a calm yet reflective atmosphere, inviting the viewer to notice beauty in small and overlooked moments.

  • The first photograph focuses on a single person, capturing their expression and presence as the main subject. In contrast, the second photograph highlights multiple people, using layering of figures to create depth and visual rhythm. By placing people in different positions and distances, the composition builds a sense of connection and movement, showing how human interactions can form natural layers within a scene.

  • The first photograph uses layering between the metal fence and the person, placing the subject in the middle ground and capturing the scene from a slight distance to emphasize focus and depth. The fence in the foreground adds a sense of separation and perspective. The second photograph combines the reflection in water with the person positioned toward the lower middle part of the frame, using a high-angle shot to create an abstract and observational feeling. Together, these techniques explore how distance and perspective can shape the viewer’s emotional connection to the subject

  • This photograph focuses on a person captured behind a metal fence, emphasizing layering to create depth and meaning. The fence in the foreground contrasts with the clear focus on the person in the background, drawing attention to the separation between the viewer and the subject. Through this composition, the image conveys a sense of distance, isolation, and observation, making the viewer reflect on perspective and barriers in human connection

Street Photography- Henri Cartier-Bresson

September 26, 2025 / / 0 Comments

  •  This photo captures a man mid-jump over a puddle, perfectly frozen at the decisive moment just before he touches the water. Cartier-Bresson uses reflection and layering, where the man’s silhouette is mirrored in the puddle, creating a sense of symmetry and motion. The fence in the background and the calm water surface contrast sharply with the energy of the jump, showing his skill in turning an ordinary moment into a poetic composition.

  • In this image, Cartier-Bresson uses a bird’s-eye angle to frame a man riding a bicycle around a curved staircase. The spiral pattern of the stairs adds strong geometric rhythm, guiding the viewer’s eyes downward toward the moving subject. The combination of motion and precise composition demonstrates his fascination with balance, form, and timing, capturing structure and spontaneity in a single frame.

  • This photograph focuses on a man peering through a small gap in a wall, capturing human curiosity within a confined space. The contrast between the solid, rough texture of the wall and the delicate human presence creates a sense of separation and mystery. The layering between the barrier and the person highlights Cartier-Bresson’s ability to express emotion through simple yet powerful spatial relationships.

 

  • Here, Cartier-Bresson captures a person walking through a narrow alleyway filled with light and shadow. The layering of light, with bright highlights and deep shadows, adds depth and visual tension to the scene. The human figure is small compared to the surrounding architecture, emphasizing the relationship between people and the urban environment. This photo conveys a quiet, contemplative mood while maintaining the spontaneity that defines street photography.

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