Blast #05070 1998 Naoya Hatakeyama, Aperture/Minneapolis Institute of Art
Lee Friedlander The images above are by Nao Hatakeyama and Lee Friedlander. Hatakeyama frequently photographs with color and motion. Friedlander, on the other hand, captures photos that are still and monochrome. Friedlander also appears to like more natural-looking photographs. He frequently takes shots of the road, people, and houses from his point of view. This style differs from Hatakeyama in that it incorporates several movements such as explosions, rain, and lighting. What’s noteworthy is that, based on my study, I couldn’t find many people in his images. The one thing they have in common is that it is from their point of view, not from a bird’s eye view or any other point of view.
When capturing photographs, both Lisette Model and Antonio Gutierrez Pereira employ monochrome. Both of these photographers, in my opinion, only photograph humans and not nature. Pereira’s artworks frequently feature eyeballs, whether through glasses, reflections, or other means. While Model merely photographs slightly older people from her point of view. Models also take a lot of shots of women; there aren’t many males in her photos.
Returning to Hatakeyama, this photographer Robert Holden, well known for his work on the burning house project, they both have one thing in common: they don’t really incorporate humans in their works. Another thing they have in common is that they do not employ monochrome in their photographs.
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