Claire

"I have no special talent. I am only passionately curious" - Albert Einstein

Research of Artists

Ellsworth Kelly:

Ellsworth Kelly is an American artist well known for his abstract paintings-created by his use of bright colors and simple shapes. Born on May 31 in Newburgh, New York, he admired the works of Naturalist John James Audubon and had passion for art as a child; although his parents only reluctantly allowed him to study design and drawing at Pratt Institute, Brooklyn, he was able to continue his studies on drawing and painting at the Boston Museum school, and then at the Ecole Nationale Superieure des Beaux-Arts in Paris after he left the army working as a camouflage artist-which he created painted objects intended to mislead enemies. All these training and experience inspired his understanding and use of composition, form, shapes, and color, which are the key features of his art style. Kelly emphasizes pure form and color and carefully considers how the elements should interact with each other within the composition-he says that “And so that the shape finds it’s own space and always demands its freedom and separateness”. Most of his works convey a sense of clarity and directness, created by his use of simple yet powerful shapes and pure color. He is recognized as one of the most important abstract painters, sculptors, and printmakers of his time and has played a significant role in the development of modern art.  Within Kelly’s art shadows are often applied to define the form and space of objects or to create contrast and emphasize the main element; by casting shadows, the shapes and elements appear more three-dimensional, more solid and complex; it also makes the entire piece of art appear more vivid and intense.

Ernst Haas:

Ernst Haas, an Austrian-American photographer, is recognized as one of the most celebrated and influential photographers of the 20th century and one of the pioneers of color photography.  Born in Vienna, Austria, in 1921, he initially studied medicine but took up photography after the second world war. His early works, mostly consisting the Austrian returning prisoners of war, brought him attention from the LIFE magazine and helped him to gain international attention. While  he declined the job offer as a staff photographer to keep his independence, he joined Magnum photos-an internationally recognized photojournalist cooperative-in 1949 at the invitation of Robert Capa and developed close associations with Capa, Henri Cartier-Bresson, and Werner Bishof-famous photographers with different styles. Haas moved to the United States in 1951 and soon began experimenting with Kodachrome color film; he was one of the first photographers to explore the artistic potential within color film and his works for publications showcased his innovative use of color and motion, becoming the premier color photographer of the 1950s. Haas’s shadows are often used as framing or leading lines, guiding the viewer’s attention and emphasizing the depth and texture of the image at the same time. The shadows are also effective in establishing the overall atmosphere and mood of the photos-while deep, dark shadows and sharp contrast between light and dark create intensity and drama, soft and diffused shadows convey calmness and tranquility, also giving the photograph a dream-like quality.

 

Top 3

-My photos are all inspired by Barbara Cole’s series Appearances and Beat. Her delicate use of water and flowers to explore transformation, nature, and beauty  -the themes self-perception and identity, has inspired me to use the same mediums-water and flowers

-In this photo I used macro photography, taking an extreme close up on the two flowers that I’m specifically focusing on and the water droplet on top. My choice of macro photography allows for a close-up view of all the details of the petals and the water droplet-including texture-the veins and the soft, delicate surface of the petals are clearly visible-this conveys the theme of the intimacy with nature, it shows/highlights the small, often unnoticed details that make up the natural world, inviting viewers to appreciate the beauty in the minute aspect of plants. The transparency and reflective quality of the water droplet makes it act like tiny lenses, showing a distorted version of the petal beneath, this reflects how we perceive and interpret the world around us; the water droplet also  creates a sense of fluidity and softness, conveying themes of the freshness/vitality and delicate of nature. I also applied balance and color contrast, in which the white flower is placed on the corner on the right while the pink one is placed on the left, this contrast adds depth  and visual interest. The overlapping of the petals of different colors and the focus on the water droplet further adds complexity to the image.

-The theme that I wanted to convey is the fragility, vitality, and beauty of nature, which I chose to reflect through focusing on the motion and using natural elements-water, flowers-in which the delicate flowers with the gentle water not only would create a calming and soothing mood but also could reflect the connection with nature. In this photo I set the flowers on a mirror and poured water on top of it, I lowered the shuttle speed to capture the motion of the flowers getting washed away by the water and the rough but fluid texture of the water by capturing the moment in which the water splits into droplets when coming in contact with the mirror. I increased the ISO and also the contrast between light and dark when editing to guide the viewers’ gaze/attention towards the flowers and the water droplets.

-In this photo the flower is placed on the wet mirror covered with water droplets, like the photo above I lowered the ISO and increased the contrast between light and dark when editing. This contrast between the light/bright flowers and the dark background creates a striking visual effect, immediately grabbing the viewer’s gaze/attention towards the flowers. I also used negative space, in which the large, dark, area in the corner on the right gives the flowers room, making them stand out. This also contributes to the overall mood of the photo, emphasizing the isolation, tranquility, and mysterious of the flowers. This evokes themes of the elegance of nature.

Top 10

-Increased ISO

-Decreased ISO

-Negative space

-Rule of thirds

-Balance

-Rule of thirds

-Decreased shuttle speed

-Increased ISO

-Contrast between light and dark

-Decreased shuttle speed

-Increased ISO

-Lowered ISO

-Increased ISO

-Contrast between light and dark

-Depth of field

-Increased ISO

-Framing

-Lowered ISO

-Negative space

-Contrast between light and dark

Intent statement+mood board

Intent statement:

In this project I personally really want to focus on water and the reflections that it could create. Water’s fluid and ever-changing nature makes it a mirror physically but also symbolically, reflecting not only portions of the real world but also the complexity of human-nature and self-perception. It’s surface is smooth and undisturbed, offering a breathtaking illusion of the truth and clarity of the environment around. However it is fragile, the slightest interference could distort this reflection, just like how external influences could shape and alter the identity of human. Beneath the calm surface, water holds depth, movement, and mystery, this fluid and constantly changing nature mirrors just how the human mind hides thoughts and emotions-a true self that remain unseen beneath a composed exterior. Through it’s constant flow, water reminds us that identity, like it’s own form, is never static but constantly evolving.

Skill Practice

-Used rule of thirds, light and shadow, focus is on ripple on the left, lowered ISO

-Used light and shadow/color contrast, lowered ISO

-Used light and shadow/color contrast, adjusted shutter speed, lowered ISO

-Used depth of field, lowered ISO

-Used balance, adjusted shutter speed and increased ISO

-Used depth of field, negative space, perspective, increased ISO

-Adjusted color-increased the shade of blue, used balance

-Used balance, perspective, negative space, contrast between light and shadow, lowered ISO

-Perspective, color contrast of black and white, adjusted shutter speed, lowered ISO

-Perspective, negative space, light and shadow, color contrast of black and white, increased ISO

Chosen Artist+Photo

  • The name of the photographer

-Barbara Cole

  • What country are they from? (This is important as it puts the work into context)

-Canada

  • What series of photographs have inspired you?

-Appearances and Beat

  • The name and date of the series of photographs that you are interested in (show examples of 4-6 images from the series and/or a collection of their work

-Appearances, 2020

  • What is the image/series about? (This could be researched or your own opinion) / Explain how this work is related to the theme of reflections.

-In Appearances, Barabara Cole anthropomorphizes flowers, giving them each a name and a unique personality that we all can connect with. This exploration into transformation, nature, and beauty, is marked by Cole’s delicate use of water as a medium. In this series, Cole explores what it means to posses a form and what is considered worthy to be the subject of an artist’s attention. This series is related to the theme of reflections both visually and conceptually, visually, the water that Cole uses in her series creates reflective surfaces, creating a dream-like effect; conceptually, the series explores the theme of self-perception and identity, encouraging introspection

  • Is there any other important cultural context that relates to the artist’s work? (see below)

-It does not directly reference specific cultural and historical events

  • What does the photograph show?

-Anthropomorphized flowers submerged/interacting with water

  • What is the main focus/ where is your eye drawn to?

-The anthropomorphized flower captured in the middle

  • What do you like about the image?

-The dreamy effect-soft and hazy lines of the flowers

  • What composition style have they used? leading lines, framing, the rule of thirds…etc

-Mostly balance-the main element is positioned in the center, and framing-the subject seems enclosed by water

  • How have they used the lighting in the image?

-The light appears brighter and highlights the main element in the center while becoming dimmer and creating shadows when around the background

  • If they have used people in their photos can you read any body or facial language?

-In fact Barbara does often explore the human body as her main subject in other series, she focuses mainly on the movement of the body, highlighting it’s fluid and free nature

  • Can you talk about any of the formal elements that are shown? Line, Colour, Shape, Form, Texture, Pattern, Tone… How has the artist achieved the meaning, concept or message in the image?

-The soft colors, muted tone, and the hazy lines creates by the organic flow of the water establishes the dreamy effect of the photograph; the shapes/figures often appeared blurred, enhancing the sense of movement; The rippling water and blurry figure creates a painterly texture, as if looking at a piece of oil painting instead of a photo

  • What techniques has the artist used to create the meaning/concept or message?

-Cole mostly uses depth of field and negative space

  • Where have they focused the camera?

-On the flower

  • Discuss the aperture settings used? Shallow/long depth of field

-Possibly a shallow depth a field, as to create the soft, hazy, and blurred effect of the photographs

  • What shutter speed do you think they have they used?

-A low shutter speed would be able to create this dream-like effect, capturing the movement in water

798 Photography Top 3

Use of art elements: In “The Flowers” I edited it into black and white, using the art element contrast, light and shadow; In “The Curtain” I used the art element color-I adjusted the brightness, shade, and vividness of the colors/photograph when editing to make it more appealing/eye catching

Composition ideas: In the first and second photo I attempted to use framing-in “The Door”-the reflection of the city is captured within the bronze, metal logo on a door, framed inside it; in “The Flowers”, the reflection is on a glass-showcase, inside the glass is nature, with flowers blooming and vines and leaves tangled around and below, and outside-on the glass, is the reflection of a small, brick, cottage, the way the nature is arranged inside perfectly frames the cottage, with the flowers above, as if growing from the cottage, and the vines and leaves below, as if the cottage is placed on top of a snowy mountain. “The Flowers” also used the composition technique leading lines as the surrounding elements-the nature-guides the view of the audience towards the dominating element in the center-the cottage. In the third photo “The Curtain”, I attempted the composition technique perspective, the shape of the window itself was quite interesting, curved and folded, with the reflection of the blue sky and architecture on it, I took advantage of this shape and took the photo from a tilted (?) perspetive, standing/focusing on the right half of the window.

Links to artists: The two artists that inspired me were Naoya Hatakeyama – a Japanese photographer in which his river series-reflections – were mostly shown through water; and Lee Friedlander – who showed reflections through glass and mirror in the city; at first I was really attracted to Hatakeyama’s way of showing reflections – the reflection of the colorful and bright city in the rippling water gave the whole photograph a soft, gentle, and dream-like effect, making it seem fragile and mysterious, and I really liked this style and the emotions that it evoked and was really tempted to try it out myself. However, when actually attempting, I found out that this style and method was hard to imitate, there weren’t any natural large bodies of water around, and the water that I brought just wasn’t enough to create the same, artistic effect in Hatakeyama’s photographs. Just as I was wandering around 798, trying to find inspirations, I thought of Friedlander’s way of showing reflections, and therefore I chose to photo the reflections shown on glass or mirrors around the city instead. The way I chose to show reflections was inspired by Friedlander, and the feelings, emotions, and effects-dreamy, mysterious, artistic-that I was trying to evoke was inspired by Hatakeyama.

Themes and concepts: In “The Door” I captured the urban street through a small logo on the door, implying a quiet moment of observation. The sharp but soft edges of the logo, the contrast between the dark/dull color of the door, the bright logo, and the reflection captured within directs the audience’s gaze towards the reflection of city life and people walking captured in the center, giving the audience a feeling of gazing at a small portion, specific part of daily busy city life, the soft and muted light and the slight haze also gives this photograph a dream like quality. this conveys feelings of quiet solitude, stillness, and contemplation. In “The Flowers”,  I captured the scene of urban/city architecture within the frames of nature, this sharp contrast between humanity and nature, black and white, the delicate and gentleness of the flowers and the roughness of the texture of the modern, city architecture in the background reflects the concepts of the intervention, interactions, and relationship between human and nature.  In “The Curtain”, the outdoor scene of the blue sky and city is reflected upon the unique shape of the glass window, this creates a blurred, dream-like view, evoking a sense of fluidity.

Camera technique: In “The Door” I used the camera technique focus-focused on the reflection inside the logo of the door, blurring the background; In “The Flowers” I increased the ISO, making the whole photo brighter, creating a more diverse contrast between colors; In “The Curtain” I lowered the ISO, making the whole photo dimmer, this makes the colors look brighter and more appealing.

798 Photographs (black and white version)

798 Photographs

Intent statement

Statement:

When talking of reflections, what come to mind are the themes of true self/self awareness, and the contrast/complexity of reality and perception. Therefore, when working on my mind map and finding photos for my mood board, I mostly brainstormed idea of water, mirrors, and shadows as I wanted to present the theme of true self, the complexity of it, and accepting it. Water, while is clear and deep, is also fragile and mysterious; it’s clearness allows people to see through it, as if people could look beyond the surface appearances of other people; and it’s changing nature-it is constantly moving, resulting its reflections to appear rippled or stretched, conveys the mysterious and complexity of peoples’ true selves and identity. Mirrors are the most direct and clear way to  create reflections, sharp and clear,  as if also revealing who we truly are inside, this makes people associate them with self examination, identity, and introspection; the idea of cracked mirrors is because I thought that putting peaces of the reflected images together is just like putting pieces of ourselves together, forming/creating “ourselves”.  Shadows are an indirect form of reflections, they are like the parts of ourselves that we can’t see/trying to hide away/another part of our self. Therefore,  in this project and trip to 798, I would want to work with these three elements, as the photos that I finally present could convey themes of true self and feelings of mystic, shock, and awe.

 

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