Artist: Andreas Gursky
Andreas Gursky’s best 8 photographs:

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Andreas Gursky is a photographer who takes abstractly beautiful photographs on lines and big subjects. He emphasizes unique pattern of lines in the subject which is unexpected. As stated above, Gursky takes photo on enormous subjects such as buildings, market, or a beach. in order to fit the massive scenery of the subjects, he tends to take pictures from the sky. That way, it is impossible for audiences’ point of view to take pictures like that. Likewise, Gursky thinks that “More bigger, more better” and keep taking pictures that are enormous. One aspect that I like of Gursky’s technique is that the subject is not narrowly limited. Gursky only focuses on the size of the subject and one abstract element: lines. He does not care about whether the photo is colorful, plentiful in terms of abstract elements, or blurry. Consequently, that mindset gives Gursky a thought to take many pictures(whether good or bad) which increases his opportunity to have a lot of abstract photos.
Andreas Gursky-“99cent I”2001
One photo that is most interesting out of my vision is 99cent I. This photograph is a photo of a common grocery store. Audiences might think that this photo does nothing with abstract photos. However, it is shown in this photo that there are a bunch of patterns and line. Commonly, grocery stores organize the product horizontally or vertically, which makes a line that have the same shape and color. As a result, it creates a beautiful array of patterns every column. In my opinion, the author might have chose the title 99cent because on the top of the photo there are a sign of discount, with the word 99 cent in it. The title is also abstract because there are three signs. What I found unusual about the photo was that the subject was ordinary and large. Grocery store is too common; it can be found anywhere, but it was special to express beauty through an ordinary and large subject. By the way, 99 cent is one of the most expensive modern photograph ever sold. In this photograph, I think pattern is the key in this photo. In every column, there are same products organized one way. It creates a variety of colors and patterns which are not repetitive but unique one by one. What I like about this style is that the photo was slightly taken high. I want to adapt to his unique location of the camera to make my own photograph way more abstract. This image inspires me and gives me confidence to take pictures with ordinary subject. It also inspires me about how would I take photo from the sky.
Photographs:
All photographs(31 photos)

The Yellow Selection(20 photos)

Out of 31 photos, I selected 20 out of those. My main vision in set 2 was to focus on big subjects and think free of elements while taking pictures. Although there are several small-subject pictures, the majority focuses on buildings, roof, floor, or wall. Although I did not focused on formal elements, I suddenly realized that there were unique patterns and lines in the photo, making me feel relieved that I was taking abstract photographs. There were a lot of situations like that, abstract elements coming out from where I not expected. For example, in this selection, there is a photo of a road. This was taken from the school bus, trying to fill the photo with its massiveness. However, the bus was too fast and my phone was shaking. I took the photo anyway, and then abstract nature followed. Shaking phone actually blurred the lights can created consecutive pattern of red headlights. That way, that inadvertent photograph made it to my yellow selection.
The Green Selection (9 Photos)

Out of 20 yellow photos, I chose 9 out of them. My visions did not alter. What differentiated between the yellow and green was the abstractness of the photo. Although my vision was very similar to the artist I chose from this set, Andreas Gursky, I realized that it is important to take abstract and strange photos. That way, it can be seen that the subject of the green photos generally decreased in size. However, the abstract nature of the photo it contained led me to choose more beautiful abstract photos rather than only large ones. It was so hard to choose between the snare drum photo and the leaf floor photo. The floor was way more massive than the drum, the element the drum contained(circular lines and patterns, or even texture) seemed so beautiful to not be chosen in the green selection.
The Red Selection(4 Photos)

The red photos are my best four photographs from my entire set. That way, I will write about why I chose these photos individually.
The Building Photo
This photo had the strongest correlation with my vision. My set 2 artist Andreas Gursky often takes photos on buildings that contains unique lines and patterns. I had no time to take photos; making me to take the majority from the school. Likewise, his photo is a outer layer of the school, near the dome. The sharp, versatile lines were all pointing to the sky, creating abstract point in the photograph. Additionally there is another yellow layer of lines from the second section, providing new abstract beauty to the audience. The subject was large, and the element was clearly and gracefully showed in this photo. I think this is the perfect photo that fits with my vision.
The RGB
RGB is hard to observe from our naked eyes. What we see from the Macbook is made out of RGB pixels. However, as I zoomed my phone on my computer, RGB showed up. What makes this photograph more beautiful than other one despite the simple repetitiveness of the photo is that out of an ordinary subject, there is an abstract pattern inside. This RGB photograph can be expressed as rare because it is impossible to observe with bare eyes. That way, the speciality of this photo made its way to the top four red selection.
The Radio Plate
The main subject of the third photograph is a radio plate. I took this photo in the theater. When I took the photo, it correlated with my vision since it was huge, however, I disliked disorganized elements jammed in to one object. What I mean is that from set 1, I found myself to get more attracted when there is only one, specific element in the photo. That bias led to me to the thought of not including the photo in the red selection. Nevertheless, I gradually realized that the elements here were well organized and actually was a good photograph.
The Water Droplet
This photo absolutely have no relationship with my vision. The subject is a tiny water droplet from a 550ml water bottle, although I tended to take big photos. However, the white background occurred by the white wrapping paper and reflection of the light added abstract nature to the water droplet. Furthermore, there is a consecutive pattern of lines at the top and the bottom of the photograph, reminding the audience the existence of a formal abstract photo element. In my opinion, this is my best photo when regardless of the vision I focused on this set.
In conclusion, my main focus was to have similar vision as my set 2 artist: Andreas Gursky. That way, I took photos that contained large subjects and lines. What I really liked about this vision was the loose focus as I mentioned at the top. It actually gave me a broad way of taking beautiful abstract photographs, for example the water droplet photo. In contrast, I really need to improve on narrowing my vision for my next set. I will learn how to fill the large subject in a tiny camera, and how can I edit photographs. That way, I can produce better photos.
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