Artist: Yousuf Karsh
Yousuf Karsh was a renowned Armenian-Canadian portrait photographer. Karsh was born in 1908 in Armenia. His family later emigrated to Canada. He showed an early interest in photography and apprenticed with a photographer in Boston. Karsh is particularly famous for his powerful and iconic portraits. His images have a distinct style, often characterized by dramatic lighting and a deep sense of the sitter’s character. He photographed many of the most prominent figures of his time, including Winston Churchill. The photograph of Churchill taken by Karsh, with the prime minister’s determined expression and cigar, became one of the most iconic images of the 20th century. Karsh’s work was not limited to political leaders. He also photographed artists, scientists, and other luminaries from various fields. His portraits were published widely and exhibited in numerous galleries and museums around the world. Throughout his career, Karsh continuously refined his technique and artistic vision. He was meticulous in his approach, carefully choosing the lighting, composition, and moment to capture the essence of his subjects. Yousuf Karsh passed away in 2002, leaving behind a remarkable body of work that has had a lasting impact on the field of portrait photography. His images are not only a record of the individuals he photographed but also a testament to his unique talent and ability to freeze a moment in time and reveal the soul of his sitters.
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Evaluation of ONE photo (2nd row 3rd column):
The first photo features a cute kitten. It’s a simple black-and-white snapshot. I wanted to show the kitten’s innocence and charm by focusing on its face and posture. The black – and – white filter gives it a classic feel. I took the photo when I saw the kitten lying there, and I think it turned out nice. The second photo is a text document, which isn’t relevant to a visual evaluation based on the rubric meant for visual presentations.
Evaluation of ONE photo (2nd row 1st column):
The first photo is a portrait. I didn’t really apply any particular techniques or skills intentionally. It’s just a straightforward shot. There isn’t much demonstration of a command of visual language as it’s a simple, plain – looking portrait. Regarding creative processes, there was no complex process involved; I just took the photo. It doesn’t reflect any deep intentions or creative challenges. The second photo is a text document with evaluation criteria that don’t really apply to the first photo as it lacks the depth and complexity required by the rubric.
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