The title of this project is “Crossroads.” The societal/cultural issue I want to explore with my photographs is the experience of mixed-race individuals navigating their identity and belonging in a world often defined by rigid categories. I want my audience to feel a sense of empathy, understanding, and recognition of the complexities and richness of mixed-race identities, challenging preconceived notions about race and belonging. I will get inspiration and develop my ideas by looking for photographs that authentically portray the diverse experiences of mixed-race individuals, celebrating their unique perspectives and challenging the limitations of singular cultural narratives.
Rainy Miller: Explores themes of identity, race, and representation through portraiture. They use color and composition to highlight the complexities of self-perception.
Kaylan Mahomes: Focuses on capturing intimate portraits of people of color.
Photography Genres:
Portraiture: To capture individual expressions and the unique features that represent their mixed heritage.
Conceptual Photography: To visually represent abstract concepts like belonging, alienation, and hybridity.
Still Life: To combine cultural objects and symbols representing the different heritages within their identity.
My photographs will explore the multifaceted identities of mixed-race individuals, focusing on the feeling of being “in-between” cultures. I aim to capture the nuances of navigating multiple heritages and the challenges of societal expectations that often demand categorization. I want to highlight the beauty and complexity of their unique existence, while also acknowledging the struggles of feeling like they don’t fully belong to any single group. The images will include elements from each represented culture, woven together to create a visual representation of their blended identity.
What makes a particular photograph a portrait?
Are Selfies Portraits?
What should or shouldn’t be included within a portrait?
What makes a “good portrait?”
Can a portrait consist of a small detail only, such as a close-up of a hand?
When does a more abstracted representation cease to become a portrait – for example a blurred figure, or a photograph of a person that has been torn, ripped or faded?
Is it possible to represent a person photographically without them being present in the image – for example, through a Still-life, an arrangement of inanimate objects? And if so, can this continue to be called a portrait?
Does a portrait have to be a single photograph? How about a sequence of images?
Daido Moriyama
I have chosen Daido Moriyama, a Japanese photographer known for his gritty and expressive black and white street photography. he captures the essence of urban life, focusing on candid moments and abstract forms within the cityscape.
Background and Career
Daido Moriyama’s Black and White Photographs
Some notable works include:
Photographic Style Analysis
five key characteristics of Moriyama’s photographs:
Abstract Qualities
Moriyama’s use of high contrast and composition creates abstract elements, emphasizing texture and form.
What I Like About the Style
I appreciate how Moriyama’s style captures urban life with grit and intensity. His black and white images add a timeless quality, focusing on textures and forms.
Connection to My Vision
I chose Moriyama because his style aligns with my interest in capturing urban life with intensity and emotion. the color of black and white also gives the strong emotion to show the potograph. His approach inspires me to see the world in a more expressive way.
Adapting the Style
To adapt Moriyama’s style, I will focus on black and white photography, emphasizing textures and forms in urban settings, also capturing some random street people to demonstrate the culture. By experimenting with angles and lighting, I aim to create emotionally intense images that invite viewers to engage deeply.
Cultural photography refers to an artist’s telling of a story through photos, specifically relating to various people and cultures It can capture social relationships or illustrate every-day life in various places
Photograph Selection: “Pepper No. 30” by Edward Weston
Source: Edward Weston Archive
I would call this picture “Nature’s Curves” because it highlights the beautiful, flowing shapes found in nature.
Weston, Edward. “Pepper No. 30.” Edward Weston Archive.
formal elements are the basic visual tools photographers use to create their images. You use these elements together to help you create a great picture. Even if you don’t realize it, these elements are in almost every photo you see. These elements helps you communicate ideas and emotions through your photos, and making the pictures you take more advanced.
Yes, while you can emphasize a single formal element in a photo, most images usually include several elements. For instance, a picture might include the elements of lines, shapes, and tone. However, isolating one element can create minimalist or abstract compositions, like a smooth surface focusing solely on tone.
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