Coco

"I have no special talent. I am only passionately curious" - Albert Einstein

Abstraction Project

Task 5: Statement of Intent

The title of this project is “Crossroads.” The societal/cultural issue I want to explore with my photographs is the experience of mixed-race individuals navigating their identity and belonging in a world often defined by rigid categories. I want my audience to feel a sense of empathy, understanding, and recognition of the complexities and richness of mixed-race identities, challenging preconceived notions about race and belonging. I will get inspiration and develop my ideas by looking for photographs that authentically portray the diverse experiences of mixed-race individuals, celebrating their unique perspectives and challenging the limitations of singular cultural narratives.

Task 3: Image Inspiration

  • Photographers:
    • Rainy Miller: Explores themes of identity, race, and representation through portraiture. They use color and composition to highlight the complexities of self-perception.

    • Kaylan Mahomes: Focuses on capturing intimate portraits of people of color.

  • Photography Genres:

    • Portraiture: To capture individual expressions and the unique features that represent their mixed heritage.

    • Conceptual Photography: To visually represent abstract concepts like belonging, alienation, and hybridity.

    • Still Life: To combine cultural objects and symbols representing the different heritages within their identity.

task 2

My photographs will explore the multifaceted identities of mixed-race individuals, focusing on the feeling of being “in-between” cultures. I aim to capture the nuances of navigating multiple heritages and the challenges of societal expectations that often demand categorization. I want to highlight the beauty and complexity of their unique existence, while also acknowledging the struggles of feeling like they don’t fully belong to any single group. The images will include elements from each represented culture, woven together to create a visual representation of their blended identity.

Introduction to Portraiture

What makes a particular photograph a portrait?

  • A photograph is a portrait if it focuses on showing the person’s face and personality. It usually captures their expressions and features to convey who they are.

Are Selfies Portraits?

  • selfies can be portraits because they show the person’s face. However, they are often more casual and spontaneous than traditional portraits.

What should or shouldn’t be included within a portrait?

  • Portraits focus on the face, but can also include the body or background to provide more context about the person. What’s included depends on the photographer’s style.

What makes a “good portrait?”

  • A good portrait captures the person’s personality and essence. It uses effective lighting, composition, and timing to convey a meaningful moment.

Can a portrait consist of a small detail only, such as a close-up of a hand?

  • Yes, a portrait can focus on a small detail like a hand if it tells something significant about the person.

When does a more abstracted representation cease to become a portrait – for example a blurred figure, or a photograph of a person that has been torn, ripped or faded?

  • A representation stops being a portrait when it becomes too abstract or distorted to clearly show the person’s identity or essence.

Is it possible to represent a person photographically without them being present in the image – for example, through a Still-life, an arrangement of inanimate objects? And if so, can this continue to be called a portrait?

  • Yes, you can represent someone through objects that reflect their personality or life. However, this might not be called a traditional portrait; it’s more symbolic.

Does a portrait have to be a single photograph? How about a sequence of images?

  • No, a portrait doesn’t have to be one photo. A series of images can also be a portrait if it collectively tells the person’s story or captures their essence.

 

Daido Moriyama

Daido Moriyama

I have chosen Daido Moriyama, a Japanese photographer known for his gritty and expressive black and white street photography. he captures the essence of urban life, focusing on candid moments and abstract forms within the cityscape.

Background and Career

  • Early Life and Education: Born in 1938, Moriyama began his photography career in the 1960s, influenced by the Provoke movement in Japan.
  • Photographic Style: Moriyama’s work is characterized by high contrast, grainy textures, and unconventional composition, creating a sense of chaos and intrigue.

Daido Moriyama’s Black and White Photographs

Some notable works include:

  1. “Stray Dog” – A classic street photography example.
  2. “Tokyo Street Scene” – Captures urban life’s vibrancy.
  3. “Shinjuku, Tokyo” – Features high contrast emphasizing textures.
  4. “Night Scene, Tokyo” – Highlights city nightlife’s dynamic atmosphere.
  5. “Street Performer” – Shows candid moments of everyday life.
  6. “Rainy Street” – Emphasizes moody scenes using weather conditions.
  7. “Crowded Street” – Captures urban life’s intensity in black and white.
  8. “Abstract Forms” – Documents abstract forms in urban landscapes.

Photographic Style Analysis

five key characteristics of Moriyama’s photographs:

  1. High Contrast: Creates dramatic and intense images.
  2. Grainy Texture: Adds a raw and expressive quality.
  3. Unconventional Composition: Challenges traditional photography.
  4. Street Life Focus: Captures candid portraits and urban landscapes.
  5. Emotional Intensity: Invites viewers to engage on a deeper level.

Abstract Qualities

Moriyama’s use of high contrast and composition creates abstract elements, emphasizing texture and form.

What I Like About the Style

I appreciate how Moriyama’s style captures urban life with grit and intensity. His black and white images add a timeless quality, focusing on textures and forms.

Connection to My Vision

I chose Moriyama because his style aligns with my interest in capturing urban life with intensity and emotion. the color of black and white also gives the strong emotion to show the potograph. His approach inspires me to see the world in a more expressive way.

Adapting the Style

To adapt Moriyama’s style, I will focus on black and white photography, emphasizing textures and forms in urban settings, also capturing some random street people to demonstrate the culture. By experimenting with angles and lighting, I aim to create emotionally intense images that invite viewers to engage deeply.

Mind Map – Blog post 7

Statement of intent – Blog post 8

  • Message: cultural

Cultural photography refers to an artist’s telling of a story through photos, specifically relating to various people and cultures It can capture social relationships or illustrate every-day life in various places

  • Audience Response: I want my audience to have deep thinkings when looking at the pictures i took.  i am focusing on creating a meaningful story that making the different picture somehow having connections and relationships. and the result i want is to have the audiences to have the different understanding and thinking about this story. 
  • Inspiration: I will get inspiration and develop my ideas by looking for photographs that explore different themes and showing different cultural and events. showing pictures that are connected and creating an event or story can give me inspirations on the topic and the theme of the photograph i want to take. i will also do research on the idea i chose to look for more examples of picture that can give me more inspirations. 

BLOG POST 5: Analysis of a photograph

  1. PICK ONE PHOTOGRAPH FROM ONE OF THE NAMED PHOTOGRAPHERS

Photograph Selection: “Pepper No. 30” by Edward Weston

Source: Edward Weston Archive

   1.  List 3 things the photographer might have been interested in capturing in this picture?
  • Texture: Weston was likely captivated by the intricate surface details of the pepper, highlighting its curves and grooves.
  • Form: The organic shape of the pepper demonstrates natural beauty and elegance, emphasizing the art in everyday objects.
  • Light and Shadow: The interplay of light and dark in the photograph enhances its three-dimensionality and adds depth.
   2. If you were the photographer, what title would you give it? Explain why.
Suggested Title: “Nature’s Curves”

I would call this picture “Nature’s Curves” because it highlights the beautiful, flowing shapes found in nature.

   3. Describe the use of line, shape, Pattern, texture, tone and focus – USE THE NOTES ABOVE AS A  GUIDE. 
  • Line: The pepper’s curves create smooth lines that lead the viewer’s eye around the image.
  • Shape: The pepper has an organic shape that stands out against more geometric objects.
  • Pattern: While there’s no obvious pattern, the natural curves create a rhythm that keeps the viewer engaged.
  • Texture: The close-up shows the pepper’s texture, making it feel real and inviting.
  • Tone: The black-and-white tones create strong contrasts with deep shadows and bright highlights, adding drama.
  • Focus: The sharp focus on the pepper makes it the center of attention, allowing us to appreciate its details.
    4. MAKE SURE YOU CITE SOURCES!!!

Weston, Edward. “Pepper No. 30.” Edward Weston Archive.

 

 

 

BLOG POST 4 – ELEMENTS

1. Explain what the phrase Formal Elements means in photography.

 formal elements are the basic visual tools photographers use to create their images. You use these elements together to help you create a great picture. Even if you don’t realize it, these elements are in almost every photo you see. These elements helps you communicate ideas and emotions through your photos, and making the pictures you take more advanced.

2. Describe each of the 6 elements discussed so far (line, shape, pattern, texture, tone, focus) Give an example that emphasizes each element (you can use your own image or an image from somebody else – but it must be cited!) 
  • Line
    • Description: Lines guide the viewer’s eye, create movement, and define shapes. They can be straight, curved, or diagonal.
    • Example: A winding road leading to the horizon draws the viewer in.
  • Shape
    • Description: Shapes are two-dimensional forms that can be geometric (like circles) or organic (like natural forms). They add structure and balance.
    • Example: A silhouette against a sunset emphasizes the person’s shape.
  • Pattern
    • Description: Patterns are repeating elements that create rhythm. They can be found in nature or man-made environments.
    • Example: A honeycomb or rows of windows create a striking visual effect.
  • Texture
    • Description: Texture refers to the surface quality of an object, adding depth and interest. It can be smooth, rough, or soft.
    • Example: A close-up of tree bark highlights its complex texture.
  • Tone
    • Description: Tone is about the light and dark areas in an image, creating mood and depth. It’s especially important in black-and-white photography.
    • Example: High-contrast images can evoke strong emotions.
  • Focus
    • Description: Focus determines which parts of the image are sharp, guiding the viewer’s attention.
    • Example: A portrait with a sharp subject and a blurred background isolates the main subject.
3. Can an image show just one element at a time? Justify your answer.

Yes, while you can emphasize a single formal element in a photo, most images usually include several elements. For instance, a picture might include the elements of lines, shapes, and tone. However, isolating one element can create minimalist or abstract compositions, like a smooth surface focusing solely on tone.

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