Ian

"I have no special talent. I am only passionately curious" - Albert Einstein

Final Work- In the vibe

In my final project, I connected abstract elements and portraiture. Wontaek’s jumping motion causes him to blur; the many colors within the frame (blue, white, grey) and the abstract shapes and patterns of the shirt add abstract elements, representing the fast and rapid intensity of every second. Looking at Wontaek’s facial expression and body language, he is exploring his moment in the air; his delightful smile and his outstretched body show his excitement and purity in that instant moment. The instant enjoyment of the photograph connects and shares a reflection of how we humans are so valuable and should enjoy every moment in our lives. Due to time constraints, I couldn’t crop the photograph, so I plan to crop the picture by changing the tone, mood, and color of the picture next time.

Vision Statement

The title of my project is Action. While I focused on capturing humanity’s slow and steady life in the last three units, the theme I want to explore for this unit is to represent humans’ many emotions and actions that flow through the blink of an eye. Time flies, and we never realize it; I want the audience to learn how humans tend to entertain and explore themselves anywhere and at any moment, maximizing their time to enjoy life. In other words, I’m trying to capture humans’ genuine emotions and actions in everyday life. By taking action photos, I’ll represent the abstractness of how fast human life is, and through using cropping, I’ll capture the close-up facial expression of someone enjoying what they are doing at that moment.

Experimental Shots

Portraiture Evaluation

Fade

The photograph reflects a one-way mirror, reflecting Wontaek’s face. The reflection and blurriness of the picture create a foggy mood in the image, and the sunlight beaming on the mirror makes orangish yellow colors, creating a warm and firm tone. The mirror itself causes a shadow of Wontaek’s face, showing a pattern within the picture. Wontaek’s face and the background have a distinct contrast. The value of the background is lighter, and Wontaek’s face is portrayed with darker colors, spotlighting Wontaek in the photograph. The texture in the picture is smooth, and audiences may interpret the portraiture as boring and straightforward as it is when Wontaek looks at himself through the mirrors. However, the deeper meaning of the photograph is revealed when we stare into Wontaek’s face. Wontaek’s eyes are glaring through the reflection, showing he is not scared to look into himself through the mirror. The closed mouth, chin up, and calmness portray Wontaek as brave, strong, and confident. The dark shadows and the mirroring effects cause Wontaek to look as if he is cloning, adding more dominance and power to Wontaek’s emotions and facial expressions. Also, the photograph is taken from a close angle, not capturing Wontaek’s whole body. This makes audiences wonder what Wontaek’s gesture and stance would be under the covers. Would it be strong and prominent like his face, or full of shame and awkwardness?

Next time, I would have done better if I tried capturing Wontaek’s whole body. If I could capture Wontaek’s prominent stance and confident gestures, it would have better emphasized the theme: real beauty comes from the mindset and inner feelings, not the beauty standards and artificial life on social media. It purely represents being who you are and who you want to be. However, by only capturing the face, I was limited from provoking these emotions, and it was unclear to the audience what message I was trying to deliver. Also, I might have considered making the photograph monochrome, not using the lighting and colors that can interfere with what the audiences see in the portraiture. I want to represent the theme of beauty without including colors but by capturing Wontaek’s confident facial expressions, firm stances, and dominant gestures within the image.

Contact Sheet

Portraiture 1

Yellow: I tried to focus on capturing Wontaek’s facial expressions and movements. A few of them missed the themes of dominance and bravery. This happened because Wontaek was in action (running, walking, staring), making it tricky to find the perfect harmony and synchronization of action and emotions in the frame. Also, some photographs weren’t close-ups because I was trying to portray pictures with action (running and walking). Equally, the background sometimes did not match the theme of bravery. There were too many crops, and they were secondary colors, not fulfilling my intentions to take portrait photos on a bland background.

Portraiture 2

After checking if the background matched the mood of my theme and if the movements and facial expressions had perfect harmony and synchronization, I began to dive deeper by looking at the facial expressions and the action he was taking. From them, I found some of them matched the theme of dominance, as Wontaek was glaring with his eyes, mouth shut, and an upright posture, while some of them were clanky and unorganized, such as Wontaek awkwardly smiling or even his body gestures and language not being prominent and strong.

Portraiture 3

The photographs all capture a common theme: Dominance over insecurity. Wontaek is not physically buff or looks like a Hollywood star, but dares to be brave and strong. Strength and beauty don’t all come from appearances and outside; they come from inner feelings and the physiological way you think. The way you feel is the way you interpret it in real life. Wontaek has characteristics that he is not afraid to feel ashamed or criticized for his looks, but he firmly believes if he is proud and appreciative of who he is and how he looks in the mirror, that is where real beauty comes from. No one can interfere with your way of looking; you get to decide, so have a strong heart and mindset. I used bright colors and contrast between Wontaek and the background in the photograph to capture dominance and prominence. Wontaek’s stance and gestures are strong, and the glare in his eye looking into the camera lenses shows confidence. The photograph is taken from a down angle, adding power and dominance to Wontaek’s body language and gestures. Not only is Wontaek not wearing anything special or decorating himself to look more beautiful, but he is being his pure self. He believes beauty doesn’t come from decorating yourself to be a fake self but instead just being yourself and appreciating it. The value surrounding him and the bland background make Wontaek spotlighted in the photograph, making him look full of power and bravery.

Street Photography Evaluation

Flight

The picture is so simple but also dynamic and eye-catching. Let’s imagine if this photograph were taken from the same background and setting, but the person was walking or standing. Would it be as unique as the picture above? No. Humans tend to seek attention towards dynamic and action photographs. We must understand that an exceptional scene may be a day experience for some people. This can be seen in the picture because of the attentive look and facial expressions the students in the midground have toward the student jumping. The photo has a monochrome that gives a vintage vibe back to the candid photograph era, letting audiences focus on the people and imagine what they may have looked like with colors. Also, the monochrome and bland background makes the overall setting unurbanized, mostly with trees, cloudy sky, and factory buildings. Equally, the floor looks like what we commonly see in everyday life. Still, if you pay close attention, we can see the bulky texture and repetitional pattern the floor has, showing complexity within simplicity. Shifting views to the jumper, the picture was taken instantly when the student took flight from the ground, showing the decisive movement incorporated within the photo. The perfect arch on the back, elegant arms and body posture, and prominent and dominant face show ideal harmony and synchronization. The picture was taken from eye level to capture the power and dominance of the student. I also used cropping techniques such as changing the photograph’s tone to be more dramatic, making the monochrome reflect vibes from the candid photograph era, and the value and contrast between the student and background to make the picture appear full of dominance.
Next time, I could’ve done better by incorporating more abstract elements within the frames, such as some running and about to disappear from the scene, which requires more decisiveness and vision. Also, I should’ve explored this scene from many angles, not only from the side. If I had taken this from the front or back angle of the jumper, I could better capture the student’s emotions, facial expressions, and actions and have a broader and unique background. Also, what would it be like if I didn’t crop the photograph monochrome? Would it make it more complex or unique? It may have better fit my intentions: Complex emotions and actions within a simple picture. Next time, I will experiment with monochrome and colored photographs to test what fits my statement of intent better.

Contact Sheet

Contact sheet: The photographs are shot in a calm and bland setting, focusing on an object or the person in the frame. I intended to shoot the purest form of everyday life, meaning I tried capturing people’s emotions, the nature (trees and grass), and the architecture (buildings and shops) in everyday life.

Street Photography

Yellow light: I realized that some of my photos were lucky shots that unintentionally had unique abstractions and themes. In other words, even though these lucky photographs have unique elements (shape, value, line, pattern, contrast, color)  and stories of their own, it does not fulfill my intention, which was to intentionally capture the “simplicity” but complex themes within a photograph.

Street Photography 1

Green light: I dived deeper by selecting pictures with excellent synchronization, harmony, and motion. In these photographs, I use the rule of thirds to keep my main subject in the center of the frame, and a bland and calm composition to represent “simplicity”. Most importantly, capturing the expressions and motions of people from daily life, such as walking, sitting, and exercising. I showed this by taking close-up pictures showing the textures, shapes, and colors of the people.

Street Photography 3

Red light: The pictures are all monochrome to let the viewers imagine the original subject’s colors and think about what is beyond the scenes. The pictures are simple, as they are things like walking, exercising, eating, and sitting, which can be seen in our daily lives. Still, the deeper anatomy and complexity come when focusing on the people’s expressions and motions within the frame. The photographs required great decisiveness as the people were in motion. The pictures are taken from eye level or at a down angle to capture the power and dominance of people. The photographs are close-up shots of people in action to capture their emotions and facial expressions of daily life.

Street Photography 4

Statement of Intent

The title of this project will be “Simplicity.” I want to go back to the Candid photography era, capturing the unurbanized streets and towns and shooting the busy actions of the people on their way to work. Today, internet technology overwhelms people’s positions and roles in society. As a humanity, we continue to lose our identity and question our capabilities. So, I want my photographs to be a time machine for people to return to when there was no technology or artificial intelligence, just simply human power and dominance. I want them to realize we wouldn’t have the modernized society we imagined long ago without humanity. My idea is straightforward, as I’m trying to capture abstract motions of people and objects within a frame. But my true intent is to find uniqueness and complexity within such a simple abstract, capturing a shot with precise organization and perfect harmony of the people’s gestures and emotions. In my photographs, I will use natural and calm compositions, reflecting the unurbanized society in the 1900s. I will take close-up shots of people walking to capture emotions and facial expressions, and make people think about what may be beyond the frame. The photography will be monochrome, letting audiences focus on the people and imagine what they may have looked like with colors. I will be taking photographs from eye level or a down angle to capture the power and dominance of people.

Most importantly, I have to be decisive; My vision of a scene is a first priority, and permission comes second. I will effectively use the rule to spotlight the people. I will be using cropping to change the tones and values of the photograph, making the picture look abstract but straightforward.

Mood Board

https://www.canva.com/design/DAGl7Si9HLU/1ibH6ilwaFVRYjcxz41qTw/edit?utm_content=DAGl7Si9HLU&utm_campaign=designshare&utm_medium=link2&utm_source=sharebutton

Mind Map

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