Orrin

"I have no special talent. I am only passionately curious" - Albert Einstein

2nd set

Portraits

 

Although you cannot see it these photos were actually taken at a very high quality with a grain filter on. The main look of this was tired, and that seemed to have given up driving through the busy streets covered by fog. This shows classism through his tired look and overall demeanor. Dressed in his suit and hat for work, adding to the noir feel, as well as the grain. His work attire also shows a man unhappy with his day-to-day 9-7 job, low pay, and hard work fitting with the theme of classism. The colorful neon lighting fitting with the inspiration of past photographers taking pictures in the lit up streets if Hong Kong.

Inspiration

  1. Liam Wong

2. The main themes show dim very neon areas or bright images where you can tell its a dim area 

3. Many of the techniques used include wide shots showing the bright neon lights and cluttered city with usually 1-2 people as the focus.

4. I chose him because he really can show classism in the tight, claustrophobic apartment buildings with the cheap neon lights.

5

2. Greg Girard

The main themes are less edited and more raw, with much more focus on greenish light. Many older (1980s) Hong Kong Neon lights.

Chose Him More for his style and colors he uses, which are much more gritty, and what I am going for. Shows much dirtier areas/places.  The lighting also plays a big role in how it was perceived, unlike Liam Wong, who uses blues, reds, purples, and other colors that make the pictures feel almost futuristic. The use of green, fluorescent lighting makes the image feel outdated and dirty/cheap. Like you’re in a bad area. Which Correlates to my theme of classism. Also, neon lights are not as vivid as Liam Wong’s to show almost despair. Mostly dim colors.

Statement of intent Portrait

 

The title of this project is Shunyi Express

The societal/cultural issue I want to explore with my photographs is classism

I want my audience to feel Disgusted and feel an almost dream-like sensation from the lights, like when you are going to the airport really early, and you are tired, and all the lights are passing you by.

I will get inspiration and develop my ideas by looking for photographs that show dim and dirty areas in bright cities and dirty areas right next to big developed areas such as many places in Hong Kong.

Mood Board

Image inspirtation

These are all Wong Kar Wai shots from multiple movies that he has made

as well as another Noir based movie called Bladerunner 2049 similarly using bright neon yet dirty shots

 

Mind Map, Portraits

Some of my favorite movies are ones by quentin tarontino and Wong Kar Wai. I can replicate many of these shots by wide 0.5 lens shots of usually dirty things with a green florescent light kinda color. With a Noir look and heavy lighting especially around the eyes and many bright neon colors replicating the streets of Hong Kong.

2. Something I personally like are tight alley ways and other streets with lots of the bright lights that are still dirty in dirty areas. I can make a mysterious effect using these bright colors with the dirty backgrounds.

3. I think a feeling of giving up is something to give off. With many Noirs the character has usually given up with most things in life a sense of hopelessness finding out how much bigger things are than ourselves.

4.I think Classism is the main thing I want to target with these. The dirty slums  all around us that we lack to notice because of our own circumstances we do not see others.

Intro to Portraits

A portrait is specifically a shot of a person

selfies are portraits because they do depict one or more people in a photo However they are bad portraits

in a portrait it should be focused on a person usually just upper half can include masks or other items but nothing that completely obscures the person

A good portrait is one that clearly shows the person focused in. With lighting to clearly show the emotion or thing the person is trying to portray.

 

No a portrait can not consist of a close up of a hand it must have at least the upper half of them in view with their face.

 

As long as the photo has the upper half of a portrait it is a portrait. Even the mushroom grown portraits I showed before were still portraits no matter how hard it is to see it if it has a picture of there upper half in the main part.

It is possible to represent someone through things they are not present in, such as things that represent who they are in objects. But They are not portraits, the person needs to be present in the photo for it to be a portrait.

 

A portrait can be as many photos as they want as long as the upper half of someone is the main focus in the image

 

 

 

time

A building long forgotten to time, the roots and branches swerving through its strong brick walls. A building once with light, people with lives, now forgotten. What things and memories went away with this building and time. What was forgotten, and why does new life come from past ones?

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