Sky

Confidence

Light

The first image, titled “Sky,” comes from me. The walker in this shot seems to have wings, stretching their arms as they go ahead of me. I named the song “Sky” since I felt free and felt like we were just walking amongst the stars. With their raised arms and empty, open front, the space reminded me of how the sky can make you feel: without bounds and light. I got the feeling that childhood enthusiasm and imagination were right there, like flying with no wings.

The second picture is titled “Confidence.” I really love this shot. The subject is erect, with their eyes shut and a fearless look. I decided to call it Confidence, since he’s so nonchalant, unafraid and true to himself in his movements. You can tell by the body language: keep your head in a normal position, let your shoulders relax and don’t worry about seeming impressive. I aimed to demonstrate that confidence can mean being confident in your silence just as it means being loud.

Photo 3 is about “Light” In this photo, children fill the room and there’s a gentle, thoughtful glow on everything around them. I called this piece “Light” for both the ambient light and the joyful, warm and lively feeling in the place. The light bouncing from one place to another seemed to stand for childhood which is curious, playfully scattered and bright. It made me realize kids can brighten the world just by showing their real selves.

Final evaluation:

Each of these three photos — Sky, Confidence and Light — makes me happy with the way they present a special mood or moment happening in every day. Doing so, they preserve the true nature of street photography by making regular events or moments into art. In “Sky,” motion and freedom can be easily observed. Delicate handling and the actress’s posture as she leaves give the painting a very energetic feel. I find that the way the figures are arranged, it makes the viewer want to move into the scene. To make the shot even better, I might have placed more sky in the frame to go with the title, but the sense of freedom still shows up. The painting’s subject and the style it is painted in are both sure and strong. The position of the photographer makes the man look strong and his comfortable pose shows he is confident. The fact that it feels slightly organized doesn’t prevent this image from fitting the theme of street photography. It is the way “Light” feels that makes it stand out. All the reflections on the floor, the bright blue walls and the gentle lighting help to make the room have a calm and dreamlike feeling. Being around the children helps me realize how central light, in all forms, can be to a story. All in all, these pictures demonstrate different emotions and ways of artistry. I learned to notice more, catch feeling in simple situations and use the right composition and light to reveal these emotions. Staying intentional when shooting will help me develop and improve my photography.

Street Photography Mind Map

6 stages

1. Style & Themes
• Candid, unposed moments
• Urban environments
• Everyday life and human interactions
• Social commentary and storytelling
2. Techniques
• Fast shutter speeds to capture motion
• Natural light, often harsh or mixed
• Use of wide-angle and prime lenses
• Composition techniques like rule of thirds, leading lines
3. Subject Matter
• Strangers and crowds
• Street scenes and architecture
• Expressions and gestures
• Details like signs, textures, shadows
4. Influences & Inspirations
• Henri Cartier-Bresson and decisive moment
• Documentary photography
• Social realism and humanism
5. Impact & Reception
• Raises awareness of social issues
• Popular in photojournalism and art
• Inspires empathy and curiosity about urban life
6. Gear & Equipment
• Compact, lightweight cameras for mobility
• Prime lenses (35mm, 50mm) for versatility

• Minimal gear for quick shooting
Sometimes uses silent or discreet cameras

total:

This is all of the photos it  helps me remember how my recent photo session played out, as it includes candid photos, posed portraits and scenery shots from both the indoors and the outdoors. Using the grid allows me to overview all the images, contrast photos that are similar and see the way light, frame and subject communication varies. You’ll see people strolling, talking with each other and posing while some shots focus on the area’s architecture, plants and open spaces. With the help of the contact sheet, I quickly determine which photos have interesting compositions or tell tales and determine which ones to develop or share. I find it helps me to arrange my images, consider the shoot and prepare for future projects as a fotograf.

green:

I pick these images to be green since they reflect several different moments and angles of what I wanted to show. In the outdoor photos, lighting and positioning are excellent and the indoor photos show individuals being themselves. Because there may be similar photos, each still gives me a new angle or atmosphere to pick from when arranging or editing my pictures. Technically, things are good and the range of different types makes the album engaging, so I’m happy to label the vast majority as good for further inspection.

Yelow:

I would mostly prefer these images yellow since their technical quality and setting are the same and most of them don’t have any special quality compared to the others. The filmmaker repeats certain shots of each walkway and part of the outdoor, so it’s tough to tell which location is best until you look carefully. The pics suggest potential, but I will need to look at them again carefully to pick out the ones that suit my needs best. I’d just mark these with a yellow, marking them as maybes, because I want to narrow them down again and make sure some of them really stand out before moving them to green.

Red:

The photos at the top are marked red since they didn’t satisfy the goals of this project. Sometimes, it come across pictures with awkward placement, blurriness or too many similar photos that don’t change up the mood of your collection. There may be some shots where light or subject presentation was not quite right for the style. Duplicate images or almost duplicate images are another reason why a photo might appear in this section. By making these pictures red, I’m demonstrating that they’re not good which allows me to choose the stronger shots in the rest of my pictures. Taking the time to design saves me time while keeping the final collection organized and of great quality.

Brandon Woelfel is a famous American photographer because of his bright, impressionistic portraits that depend on light. He tends to use fairy lights, glowing neon signs and mirror effects to create a gentle atmosphere. Often, his photos are taken in low light at night, where blue, purple and warm highlights are mixed together. Woelfel improves the colors in his films and makes them seem enchanting and strange. He creates mood and emotion by using glasses, books and lights. A well-known photograph has a girl in glasses standing beside a bright sign and the light reflected from her glasses makes it look like a scene from the future. Still, another art piece portrays someone reading a book with fairy lights around it which gives the piece a cozy feel. Woelfel uses light to lighten his subjects as well as to bring out a story and engage the audience.

My title is “people and light” I am experimenting with how light impacts people, as it changes their mood, helps express feelings and can lend true importance to simple moments. I aim to show how light shapes human features, bodies and surroundings, no matter if I have natural or artificial light. Light gives me a chance to illustrate various emotions, distinctions and stories in my images. At times, the light will make your photos feel peaceful, and in other cases, it will make them dramatic. Every picture will highlight a person or individuals, and the way light is used shapes how the subject comes across. The camera I will use is phone and I will take photos under golden hour, soft window light, from close to streetlights, and in the shadows. There will be some black and white images that put light and contrast first, and some pictures will remain in color to highlight warmth and feelings. I draw inspiration from photographers such as Brandon Woelfel, who use light in special ways to highlight what a person feels and thinks. The final set will show between 6 and 10 images, in print or projected as a slideshow, reflecting how light connects us to the people and their stories.

All my photos-798

Yellow light:

I picked these to be my yellow light photos because, the photo series captures quiet, in-between moments where light, shadow, texture, and color come together in unexpected ways. From playful graffiti to the sharp silhouettes cast on textured walls and floors, each image highlights the beauty in everyday scenes. The repetition of shadows, warm tones, and stillness creates a mood that feels reflective and slightly paused—like time is holding its breath for just a second.

Green light:

I picked these 6 photos to be my green light because, it reflect a sense of movement, energy, and playfulness qualities that connect to the idea of momentum and action. From the bold street art and colorful patterns to the playful characters on signs and benches, each image feels alive and in motion.

Red light:

These photos reflect a sense of intensity, chaos, and emotional qualities that connect to the feeling of a red light, a moment of stop, impact, or confrontation. The heavy layering of graffiti, bold colors, and rough textures give the images a raw and powerful energy. The repetition of the same wall from different angles emphasizes how overwhelming or unavoidable certain moments can feel. Even the shadow in the cartoon mural feels tense. Together, these photos capture scenes that feel loud, cluttered, and full of emotion—like moments that demand attention and reflection.

Final(3)

I chose these three photos for my final selection because they captured lighting, color, and texture. There’s a mix of tension and energy in the textures, especially with the colorful walls with words and paint on it. which can pull the viewer into a moment that’s both real and visually powerful.

Both images share a strong visual similarity through their sharp division of space, high contrast, and minimalistic composition. The first image contrasts a smooth, dark surface with a textured, illuminated blue area, while the second is a simple black-and-white split. Both create a sense of balance and duality, emphasizing geometric abstraction and stark visual contrast.

A compelling portrait does not always need a direct view of the subject, as a details of hands, designs, or blurred figures that can be powerful. Some artists create narrative patterns to explore different elements of a subject’s personality, emotions, or transformation in time. Selfies have caused discussion about whether they are considered as portraits, but they often do not have the artistic intent and detail of traditional painting portraits. Portraits are visual explorations of identity, emotion, and storytelling that are purposefully composed using elements like lighting, framing, background, and expression to convey a deeper meaning.