The formal elements are “parts that are used to make a photograph” (The Formal Elements). The six formal elements of photography include: Line, shape, pattern, texture, tone and focus. Lines in photography are used to guide the viewer of the photograph around the image, and is one of the most important elements in photography.
Without lines, there are no shapes, without lines there is no form. Lines can also be used to alter the feel of the image itself. Curvy lines often contain a funny and less serious feeling to the photo, while straight lines convey a serious and straight feeling to the photo. We can see an example of that in the “Onion Halved” by Edward Weston made in 1930. The lines are curvy, and the lines convey a fun, creative feel for the image, allowing the viewer to interpret the photo in different ways. For example, when I first looked at the photo, I thought that this was a photo of a cell structure because of the curved lines.
Shapes are important in photography because it is the principal element of identification. One thing to remember is that the shape in the image is best defined when the subject is either front lit or back lit. For a certain shape in a photograph to be identifiable, it must be in strong contrast with the background or any other elements in the photo. In this photo, principal element in the photo is clearly identified. It is a toilet, and we can see that the toilet has strong contrast with the background and other elements in the photo.
Texture is the visual depiction of variations of the color, shape and depth of an object’s surface (Masterclass). Textures can affect the emotion the viewer has when looking at the photo. Texture is mainly based on light, and light can play a big part in accentuating the texture in the photograph.
Tone to put in simple terms consists of shadings from white-to-gray-to-black, or it may consist of darks against lights with little or no grays. The use of dark areas against light areas is a common method of adding the feeling of a third dimension to a two-dimensional black-and-white picture. The interaction of light against dark shades in varying degrees helps to set the mood of a composition. An effective use of tone often conveys a sense of mystery, or sadness. A photograph with a light tone might portray light, joy, or happiness. The piece of artwork shown above is called Pepper No.30 by Edward Weston. We can clearly see that he altered the tone of the image by adding dark shades into the photograph conveying a sense of mystery, allowing the audience to look at this “Pepper” in many different ways.
Different shapes and patterns may be aesthetically pleasing and draw attention to a photograph. (The Formal Elements) There are mainly two important aspects of patterns. One is rhythm, and the other is symmetry. Rhythm when a certain shape is repeated in the photograph, creating sort of a rhythm, a flow by using the same shape multiple times. Symmetry can be used in a way so the two objects are similar but not quite alike, which can be used to highlight difference between the two objects. In this photo taken by Edward Weston in 1931, the cabbage leaf is using symmetry to draw attention to the viewer. The left and right sides of the photo look similar, but not quite, the left and right sides of the cabbage having different patterns and groves in them.
Focus is the sharpest area of the image. It is used to highlight a person, object, just anything that might be a subject in the photo. In the image the toilet (author and date mentioned above), is clearly focused, and is clearly highlighted, and just by looking, a viewer can know that the toilet is the clear subject in the photo.
I think that one photo can show two or more elements at the same time. Take the toilet for example, it had both elements of shape and focus. I think in a way all elements are somewhat related to one another, and with the right technique and approach, I believe that an artist can take a photo containing multiple elements.
WORK CITED
“The Formal Elements.” Luca Nembhard, lucanembhardphotos.weebly.com/the-formal-elements.html. Accessed 20 January 2025.
“5 Ways to Capture Texture in Photography – 2024 – MasterClass.” MasterClass, 2020, www.masterclass.com/articles/how-to-capture-texture-in-photography. Accessed 20 January 2025.
Weston, Edward . Onion Halved, 1930, www.artic.edu/artworks/120845/onion-halved. Accessed 20 Jan. 2025.
Weston, Edward. Shell, 1927, dx.isb.cn/dash/#/classroom/648613/sections/lesson/344121/page/344128. Accessed 20 Jan. 2025.
Weston, Edward. Pepper No. 30, 1930, dx.isb.cn/dash/#/classroom/648613/sections/lesson/344121/page/344128. Accessed 20 Jan. 2025.
Weston, Edward. Excusado (Toilet), dx.isb.cn/dash/#/classroom/648613/sections/lesson/344121/page/344128. Accessed 20 Jan. 2025.
Weston, Edward . Cabbage Leaf, 1931, dx.isb.cn/dash/#/classroom/648613/sections/lesson/344121/page/344128. Accessed 20 Jan. 2025.
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