Amber

"I have no special talent. I am only passionately curious" - Albert Einstein

Category: Uncategorized

Statement of Intent: Set 2

The title of this project is “Grandparents.”

The societal/cultural issue I want to explore with my photographs is the culture in China where the new generations leave the village for big cities like Beijing and Shanghai, and start a family there. Behind this migration is the older generation and sometimes the younger generation as well, staying in the little villages, waiting for the Chinese New Year.

I want my audience to feel the warmth and sense of belonging their grandparents provided them when they were young. I hope to achieve this by taking candid shots of my grandparents doing their ordinary routine that they may have seen their grandparents do.

I will get inspired and develop my ideas by looking  at the work of photographers like Tina Barney, who capture candid shots that tell a story. I can study how she incorporates photography techniques without the photograph looking like a typical model photo.

Street Photography Final Post

The photograph shows a bustling sidewalk scene in a city, during a sunny day, where a young boy enjoys a traditional Chinese snack, Tanghulu, while walking. The child, dressed in a vibrant blue jacket, stands out against the backdrop of adults engaged in their own activities, capturing a slice of urban life.

The image’s bright colors evoke a sense of joy and vibrancy, highlighting the playful nature of childhood in contrast to the adults, who appear with low saturation. The bright hues of the snack contrast with the more mellow tones of the surrounding environment, drawing the viewer’s attention to the child’s expression. If this photo were in black and white, the focus would shift to tones and shadows, potentially losing the lively essence conveyed by the colors.

There is a triangle composition, with the boy at the forefront with his arms slightly raised. Furthermore, the positioning of the boy, coupled with the adults in motion follows the rule of thirds. The subject, the little boy, is in the two squares on the bottom left, while the pedestrian with the white coat occupy the three squares on the right. This off center composition allows a more dynamic tension.

The biggest part of photography is candid shots, so I stood in a position waiting for a good character to come into my sight.  When I saw this kid walking towards me I decided to take a photo of him. I loved how he was so focused on eating his tanghulu, while the adults next to him are walking fast with a serious facial expression. Coincidentally, the kid was also the only person, out of all the pedestrians near him, wearing a bright color. In this image I want to capture the innocence that only a children can hold. This photo draws me back to my early years, when all I had to nothing to worry about. Which is also what I hope this photograph can evoke when viewers see it.

The photograph depicts an elderly woman sitting on a bench, her face wrinkled with the marks of time and thoughtful expression capturing the viewer’s attention. Beside her is a bicycle filled with bags, hinting at her daily life and the stories she carries.

The bright colors in the image, particularly the striking red and white of the bags, contrast sharply with the darker tones of her clothing, drawing the eye to these elements. The green and blue background also contrasts greatly from the warm colors of the old lady and her bags. If this photo were black and white, the emotional depth conveyed by the colors would likely diminish, shifting the focus to texture and shadow instead, which would also be interesting but the subject will have less contrast with the background.

The composition balances foreground and background elements. The woman occupies the foreground, her presence grabs most of the attention, while the blurred figures in the background suggest a bustling environment, enhancing the narrative of urban life. The juxtaposition between her stillness and the implied movement of the city around her creates a poignant moment of reflection. Also, the use of layers creates a sense of depth in this photo, with the bags occupying the front, the old lady in the middle and the pedestrians and tress in the back. The viewers can be guided by each layer to fully comprehend the story behind this photograph.

My favorite part of the photo is how it uses juxtaposition to tell a story. The tone of the photograph is high saturation and bright colors, however the emotion of this photograph is rather mellow and bleak. The old lady is alone, with a rather upset facial expression. She gives me a sensation of emptiness and sorrow, the presence of herself tells a story of her life. The bags I framed at the very front acts as symbolism for the emotional baggage she carries. In my interpretation she probably has witnessed so many stories to a point that she is emotionally separated with the rest of the world that is full of hope, just like the bright blue and green background. In this photograph, I hope my viewers can interpret different life stories for the old lady, giving different definitions for the bags she carry.

798 Triptych

My triptych is titled Red Reflection. My intent before going to 798 was to capture the relationship between color and culture. When I arrived at 798 and started taking photos, I noticed other meanings of red.

The first photo of my triptych is an alley with a plain red billboard. The billboard is outstanding in its environment, a deserted alley. When I saw the billboard, I was very intrigued by why it was there. I went into the alley, and all I found was a sign asking for rentals. The only thing “alive” in the alley was the red billboard. I hope this photograph can display a sign of prosperity and hope. In many scenarios, green often symbolizes growth and hope; however, in this photograph, I hope viewers can see that in life, red can symbolize hope and green can symbolize oblivion.

The second photo of my triptych is a traditional Chinese knot hanging on a window. In this photo, I successfully found cultural elements in color. The red Chinese knot is often hung up during the Chinese New Year, a holiday of reunion and celebration. The red knot brings jubilant memories of joy and warmth I experience every winter; the blue lines on the window well represent the cold weather. Not all viewers can resonate with my experience, which is unfortunate; however, I believe most viewers know that the knot in the image is a traditional Chinese knot.

The third photo of my triptych is a construction site. This photo is also my personal favorite. Unlike the other images, this photo does not have too much of a deep meaning connecting to my personal experiences. This image is my favorite because of the composition. The red lift in the center matches the helmet on the worker standing at the bottom right,  and the pile of construction material on the bottom left. Moreover, the lines of this photo work well together. The multiple layers of horizontal lines create a harmony in the slightly complex background, and creates contrast to the vertical bars in the very front. I hope to convey the message, working class that acts as a building block to modern society, through this image.

The three photos in my triptych all have different meanings behind it, hope, tradition and social class. The color red, my theme, ties them together,  creating a unique collection of imagery.

 

 

TOP 10 798 Photograph

  1. High contrast in color, red and green
  2. Good use of lines in the background, parallel and horizontal
  3. Good display of depth, multiple layers

  1. Clear concept, Chinese red culture.
  2. Well-lit, good lighting.
  3. Cool texture, the Chinese Knot

  1. High contrast, red and green
  2. large range of value, black and white
  3. nice pattern in the background

  1. Cool texture
  2. Nice contrast, tree and satin
  3. clear concept, Chinese culture
  4. Mood, cold color and bright color set mood of expired joy

  1. Good composition
  2. high contrast, red square and general green
  3. Good use of shape, geometric red square
  4. depth, the rock pathway

  1. Cool pattern, the white curtain
  2. Clear concept, Chinese culture
  3. Good composition, repeated vertical lines

  1. Colors, high saturation and diversity, red, blue and green
  2. Depth, bars, trash cans, tree bark then wall
  3. pattern/lines, bars

  1. texture/ patter, the Ivy leaves
  2. consistency, only red and green
  3. Clean concept, Chinese culture

  1. Good composition, flower in center, bars alined with rim
  2. Well focused
  3. Texture, leaf and rusted bars

  1. Depth, bars blocking creating frame
  2. Well focused, on bike not bar nor background
  3. Nice contrast, red bike green in background

Formal Elements of Photography

Formal Elements of Photography are: line, shape, pattern, texture, value/ tone, and focus/ movement. The formal elements of photography convey similar concepts to the elements of art. The formal photography elements are the fundamentals that impact the composition and visuals of an image. Lines help direct the viewer’s attention to the object, but the beauty of it is that a line or multiple lines themselves can be the object of a photograph.  Generally, vertical and horizontal lines show stability, whilst diagonal and curved lines often show instability and movement. Shapes are formed by the boundaries of objects within the frame. Shapes can be categorized as geometric shapes (like squares and circles) and organic shapes (like the shapes of leaves or clouds). The use of shapes can help create balance and structure in a composition. For instance, the size of a shape is often used to demonstrate depth. Patterns are repetitive elements, like a weave or a beehive. They can be found in natural settings, architectural designs, or even in the arrangement of objects. Patterns can lead to a sense of harmony, a principle of art, but they can also be disrupted to create tension within the composition. Texture refers to the surface quality of an object, which can be seen and felt visually. It adds depth and dimension to a photograph and can evoke tactile sensations. Obvious textures can often be found in straight photographs. Photographers usually emphasize texture by using light and shadow to highlight the details. Tone refers to the lightness or darkness of an image and is essential for creating mood and atmosphere. Tone is often emphasized in black and white photographs. It can also help define shapes and forms within a photograph. Also crucial in showing depth and dimensions. Focus determines which elements of the photograph are sharp and clear, guiding the viewer’s attention to specific areas. Depth of field can be manipulated to create a shallow focus (blurring the background) or a deep focus (keeping everything in sharp detail). This technique can be traced back to the Renaissance, when artists started drawing the atmosphere.

This photograph uses a horizontal line bisecting the sky and the ocean. The horizontal line expresses the calmness I felt when I took his photo.

This photograph focuses on the circle of the dashboard. The multiple layers of circles provide a futuristic and athletic mood.

This photograph uses the upside-down chairs to form a balance in the photo. This pattern also creates a stable and solemn mood.

This photograph was taken when the sun/ lighting was just right to nicely display the texture of the ocean surface. The ripples on the surface of the translucent ocean set a calm mood.

This photograph well demonstrates tone or value. As a black and which photo, creating contrast may be a struggle, however this photo used a gradient from right to left slowly becoming darker. This photograph cleverly used the focus feature to create depth. The leaf in the middle is well focused, while the leaves closer to the camera that can cause distraction are blurred. This indicates that the other leaves are not on the same level as the main object.

Context in Photography

John Baldessari, started his art career as a painter and started focusing on his photography, filming, and printmaking  in the mid 1960s. Some of his rules of photography were no white color, clear focus, and clear compositions. One of his most famous works, “Wrong”, was intentionally breaking those rules. This photo in Baldessari’s form of protest towards the “rules” that rule the art world. Without learning about the background or the hidden meaning of “Wrong”, this photo may just be a bad photo. The artistic intention of Baldessari brought this photo to another level.

Works Cited

Wrong. 1967. LACMA, collections.lacma.org/node/237769. Accessed 25 Aug. 2025.

“Wrong LACMA Collection.” LACMA, collections.lacma.org/node/237769. Accessed 21 Aug. 2025.

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