In these photos, I experimented with my statement of intent by using contrasting lighting to symbolize the tension between the parts of ourselves we show to the world and the parts we choose to conceal. I decided to use two different colored lights in the second image, aiming to represent the two sides of the subject’s identity. One side is illuminated with a cooler tone, and the other with a warmer, more expressive light. The other images were shot in just purple light, with the intention of stripping away any distractions and focusing solely on the subject and the prop used, which in this case is a mirror. At first, I had the urge to use the mirror to convey that there are two versions of ourselves. One side that reflects in the mirror, which is in focus and clear to see, represents the identity that others see. The other side, which is the person’s back profile, is blurred out and somewhat amorphous to highlight the hidden identity in a person. However, after trying these two shots, I realized that without the mirror and focusing on the interplay of lights would better communicate the duality of identities and meet my statement of intent. I think the use of contrasting colored lights in the first image really brought in that effect.  The red light on one side and the dark blue light on the other did a good job of creating a clear visual split, visually representing the concept of two conflicting identities. The lighting itself was clear to tell, but I think it could have been more dramatic, like Albert Watson’s. While the first photo conveyed a clear split through color, the lighting on the model’s face could have been more precise. In some areas, the blue and red lights seemed to overlap in a way that reduced the contrast I was hoping for. In future photos, I will experiment with different lighting angles to ensure that the contrast is sharper and more defined, particularly across the subject’s face. I may also try to use a larger light source or a softbox to diffuse the lights and create more even transitions between the light and shadow areas. This would allow the division between the “showing” and “concealing” sides of the subject’s face to feel more deliberate. Overall, for my final set of photos, I won’t be using a mirror, but focusing on the interplay of contrasting lights to bring out the dramatic effect.